Path of Future Literary Works

 

This year, 2023, has been a banner year for me regarding writing and publishing books. By next August all five books of the “For Witches” series will be in print, and I will also have a beginner’s book published as well (“Mastering the Art of Witchcraft”). Additionally, my publisher has signed contracts with me to republish my first two books, “Disciple’s Guide to Ritual Magic” and “Mastering the Art of Ritual Magic” and these will be back in print sometime next year. I also submitted the manuscript for my first grimoire, entitled “Liber Nephilim” and that book will begin the editing process next month. I expect that book to be in print before the year is out for 2024. In the list of these books is also one my crowning achievements, the Llewellyn title “Magical Qabalah for Beginners” - a book that is not really for beginners. By the time of the Winter Solstice, I will have ten books in print, four with Llewellyn, and six with Crossed Crows Books. That is an accomplishment that I thought would never occur, but it will soon be a reality. I also realize that what I have accomplished took a lot of time, research, writing, editing, revisions, and a lot of effort. I started writing my books in 2006, so that is an investment of 17 years.

Meanwhile, those who have been reading my blog for the last several years know that I have a lot more ritual lore and material than what I have written to date, and it will be at last time to begin to assemble that material into manuscripts, and from there, hopefully, into published books. I suspect that my current publisher will want to publish some of these ideas, but others I may have to self-publish, and I will do that so that all of this lore is made available to my reading public.

Since I have covered all of the lore, rituals and ceremonies associated with the basic and intermediate stages of the development of a pagan or witch who also is a practicing ritual magician that part of my work is completed. All of these books, except Liber Nephilim, represent what I believe someone needs to know in order to function as an intermediate to advanced ritual magician. Liber Nephilim is the first step of what I consider to be my more advanced ritual and magical lore. It is the first of its kind from my hand, but it represents only the first of nine additional books that I can assemble and write into publishable manuscripts. I have been practicing magic since I was a teenager, and the period of the 1980's through 2012, a period of over thirty years, was spent developing several advanced systems of ritual magic. Now that I am getting old and in the autumn years of my life, it becomes important for me to be able to publish the rest of this material so that others can possess and make use of it. It will be my legacy to the Wiccan and Pagan ritual magicians of my day, and perhaps it might find utility with others over the decades past the time when I am just an obscure footnote in history.

What I would like to do is to outline these future books so that you might apprise them and perhaps even make your opinion known to me through a message or an email. I haven’t actually decided on the order of the book projects, so you could also tell me your preference, and if enough people want a certain book project to be published sooner than later, I will take that under advisement.

Here is my list of eight projects that I would like to develop and publish as books for my magical colleagues to ponder and consider. I will seek to get them into manuscript form in the next three years or so and seek to have them published. I am hoping that by 2027, all of these books will be in print and available to whoever wants them. I am also hoping that this ambition on my part will at least get my ritual magician colleagues to examine and perhaps even attempt to adapt and perform some of these more advanced ordeals. That is my hope, but just helping to advance the ritual technology of western magic would be most satisfying.  

Abramelin Lunar Ordeal - I have always admired the Abramelin Ordeal, which is a severe meditative and liturgical based working that lasts from either one year or 18 months, depending on the version followed. It requires complete sequestration for a period of either one to three months, and that means that the adherent must retire from the world for that period of time. The ordeal consists of long periods of prayer and meditation, and requires a prepared room with a sand floor, casement windows, and other strict practices. All of these practices are performed with the singular purpose to invoke and manifest one’s Holy Guardian Angel. While I was intrigued with the outcome, the process seemed nearly impossible for me to consider because I had to work a regular job and couldn’t take the time off to properly perform it.

However, as a Witch and one who is more oriented to the moon, I was able to develop a lunar-based ordeal that lasted only 1.5 lunar cycles or around 40 days. Because the period was so abbreviated, I had determined that the time allotment needed to be filled with intense magical activity. So, the first four weekends were spent fully invoking the four Seraphim and the four Cherubim combined, which I considered to be super-archangels. Then, merging these eight powerful angels into a matrix, I summoned their godhead equivalents for each of the four elements, and fused them together into a powerful vortex with a triple tetrahedral gate structure. Upon this magical edifice, I performed the Bornless or Headless rite, revised with the four Qabalistic Worlds arranged as a step pyramid, where a revised invocation of my personal godhead was performed.

I had gone back to the PGM and extracted additional magical workings to go with the Bornless or Headless invocation rite, and added a magical ring consecration rite, assumption of great powers and an envisioning rite. The final working was the Alchemical Hierogamy Rite of Union, a magical rite based on the Rosicrucian alchemical wedding of Christian Rosencruetz.  All of these rituals were assembled to be part of what I have named the Abramelin Lunar Ordeal, and I performed them in 2009. It was an amazing ordeal, and it unlocked for me the mysterious magic squares found in the Book of Abramelin the Mage. While this ordeal can be worked in place of the traditional ordeal, it will undoubtedly produce different results, although the overall purpose and outcome are similar. I have articles, diary entries and the rituals already assembled into a folder. All I need to do is to pull it together into a manuscript with revisions, annotations and explanations. I believe that I could put together a manuscript in a couple of months, since most of the work is already done.

Liber Nephilim Additum - I have already submitted the manuscript for Liber Nephilim, but in writing this book, I left a lot of ritual lore out of this edition because it would have made the book too large and unwieldy. What was left out was the Enochian Ordeal of the 49 Bonarum, where I invoked seven of the Bonarum and pulled them together into a vortex to invoke the 8th, which was Camara, in a ritual named the Septagramic Vortex Gate ritual. That whole part of the Enochian ordeal was not included in the first book. Then there is the Enochian Mystery Vortex, mentioned several times but excluded from the first book. Additionally, there were the invocations of Seth and Enoch, the evocations of Ramat’el, Turiel, and Samael as Shaitan, and their associated diaries. This book would provide all of the material that was developed, used, and explored in the overall Nephilim working. I believe that providing this additional set of ritual lore and discussions about the Bonarum as the binary planetary intelligences, and how to invoke them and their overall psychological impact. Assembling and writing this manuscript would take only around three months, so it would also represent a task of refining and revising the ritual lore omitted from the first book. Both books together would supply the complete set of ritual lore to perform and replicate the Nephilim working.

These two books would represent my submissions for 2024, although there a more possibilities sitting around on my hard drive from workings that I have done previously.  

Talismanic Portae Lucis working: After developing and performing the Abramelin Lunar Ordeal, I became acquainted with a magical ordeal and process that quite intrigued me. I am referring, of course, to the writings and teaching of the late Jean Dubuis, who was a French occultist, alchemist and magician. His system of magic combined spagyric forms of alchemy with astrological magic and the Qabalah. A central magical operation within Mr. Dubuis’ occult system was a process whereby a person could achieve a direct connection and report with powers and intelligences of the Supernal Triad. He called this the Experience of Eternity, and it was a necessary step for a magician to achieve the proper connection and linkage with his or her higher self. It seemed like a logical step from gaining the knowledge and conversation with one’s Holy Guardian Angel.

I studied his ordeal named “Portae Lucis” and discovered that I could replicate this ordeal using revised lore for working talismanic magic that I already possessed. His various practices and the use of spagyric alchemy seemed of lesser importance when compared to the crafting of powerful talismans that would represent the charged empowered representations of the Qabalistic Sephiroth of Yesod (Moon), Tiphareth (Sun) and Binah (Saturn) representing the pathway of the gateway of light to the supernal triad. What I proposed to do instead of the passive talismanic workings and the various ancillary practices, including the creation of spygyric alchemical medicines, was to forge these talismans with each of the four element configurations of a specific planetary talismanic elemental spirit, using a metallic talisman associated with the planet. Each planetary talisman would thus contain each of the four elements of four specific talismanic elementals, thereby supercharging them as tools in building the gateway of light. In addition, I also generated a fourth talisman of Mercury to represent myself and the magical (Hermetic) process that I was seeking to manifest.

After generating these four super-charged talismans, according to the rites and time-line of the lunar mansions, I was prepared to perform the final working on the auspicious hour of the sun on the day of the Summer Solstice, when the light had achieved its maximum power. The working produced extraordinary results, and it was very successful, showing that a magical idea or ordeal concept can be developed in a number of different ways. It was an amazing ordeal, and one that I documented in my magical diaries. While some in the occult community were surprised and pleased with my approach, the traditionalists fiercely condemned and discounted the working. Later on, I managed to generate the three remaining super-charged metallic talismans and then built a magical machine that could produce any amount of material manifestations for me, and it has served me quite well during the years since I produced them.

All of the ritual lore, documentation and diaries for this working, and the extended workings covering the three additional talismans, and the creation of a magical machine would be part of this book. It would require me to assemble this material, revising and editing it, and produce a manuscript, but I believe that it would take only four months to complete this book project. I think that the occult community would find my approach to this working to be clear, modern and succinct. I would stipulate that it would not produced the exact results that the original ordeal would produce, but it would still be representative because it seeks to achieve the same results overall.

Other book projects that I am contemplating would represent workings that I developed and performed decades ago. They are still quite relevant today, and they represent the advanced workings and lore of the magical order that I helped to found. The advanced workings were completely my invention, and they were brought into the workings of the order because they had been developed in the 1980's and 1990's, and into the early 2000's.

Ordeal XV - the workings of the Gnostic Tetrasacramentary, consisting of the liturgical and magical workings of Thelema, Agape, Eros and Thanatos. These rites would include the specific Gnostic Mass with Benediction exerps, a Gnostic seasonal calendar, evocation rites of the specific Gnostic Avatar, and then the set of four rites of the Tabernacle of Sothis and the associated Black Rite. Other rites of sacramentation would include baptism, marriage, requiem, confirmation and holy orders. These rites would represent the complete set of workings associated with the four different Gnostic systems of religious magic.  This Ordeal is thus named because of the joining of the octagram and the septagram to generate a spiritual being able to represent a system of Gnosis, thereby becoming its avatar. It is also the number of the tarot card The Devil, which represents the powers associated with initiation. A performance all four of these sets of workings would fully activate their own gnostic magical powers to manifest these philosophies and their visionary impact into the material world. These are the liturgical and magical workings of a true Gnostic Priest or Priestess.

Art and Practice of Archaeomancy - this is a system that I developed over twenty years ago, but it represents the very cutting edge of magical workings.

The word Archaeomancy is one that I coined in the obscure magickal fellowship of the Order of the Gnostic Star and means the “magick of the source” (ἀρχή - arche - principle, origin; and - μαντεία - manteia - prophetic power). The art of Archeomancy is defined as the magical ritual method of exploring the Qabalist Inner Planes. These Inner Planes have many various definitions. Because of this difference, there are two methodologies that I developed. The first is the Archaeomancy of the 40 Qabalistic Worlds, where the inner planes are defined as the ten Sephiroth of the Qabalah, as superimposed through the four Qabalistic worlds. The combination of the Qabalistic Pyramid of Power and Enneagram Invocation rite combined with a double gateway would allow one to freely pass into the Qabalistic Inner Plane domain to gain visions, insights and to accrue and manifest its powers into the material world.

The second is the Archaeomancy of the eighteen Qabalistic Dimensions. The dimensions are the triangular shapes that exist in the Tree of Life structure that are outlined by the Sephiroth and the pathways. In addition, the Enochian ordeal workings defined the angular vectors of the paths and Sephirah as being the locations where the Aethyrs resided, where instead of 30, there were 56. These triangular dimensions were interior spaces in the Tree of Life that held profound transformative powers. I managed to develop the ritual lore to enter into two of the lowest of these dimensions, and my experiences were extremely profound. The inner and most secret teachings of the spiritual Qabalah are to be found in the dimensions, and entering one of them allows the wisdom of them all to be revealed. What I experienced so inexplicable that I can hardly describe them here, but for a Qabalistic magician, these workings represent the very height of what might be realized.

Both systems of magic were described and developed from the Enochian ordeals that I performed in the early 1990's associated with my Nephilim workings. I have diary notes and details to back up the event of these workings. All of this lore, documentation and some diary entries would be included in the manuscript that I would pull together.

Two other ordeals that I developed and performed during the late 1980's and then the late 1990's were the Ordeal of the Four Gnostic Temples, and the Ordeal of the Stellar Seven-Rayed Gnosis. These ordeals represent the ritualized challenges of self-initiation by ordeal of the Sixth and Seventh Degrees, respectively.

The Four Temples, or Tessarenoi, were performed to generate a living particle from the four-fold vortex spinning black-hole gateway opening into four different universes based on the tetrasacramentary in Ordeal XV. Each of these particles represented a living sacramental attribute of the godhead of a Gnostic sacramental system or universe, and could be used to powerfully sacralize material objects, and to act as a manifested source of godhead in the material world. I experienced them as alchemical stones that produce intense transmutations.

The Stellar Seven-Rayed Ordeal is the means to establishing a conduit of the fifth Gnostic sacramental system, which is symbolized by the Star, or more specifically, the Gnostic Septagram of the Seven Qabalistic Rays. Performing this rite would give the operator the ability to channel the seven sacramental virtues into the material world, transforming that individual into a fully empowered hierophant, a master of the spiritual and material worlds. These two ordeals, Four Temples and Seven-Rayed Star could also be assembled and made into manuscript books, to be published, depending on the need and desires of my reading public.

Rites and Ceremonies of the Order of the Gnostic Star - If I actually managed to get into print all of the above books, which would be a total of seven books, then I should also assemble all of the rest of the lore of the magical Order of the Gnostic Star, and publish it as well. What that would do is place into the hands of any knowledgeable and experienced occultist the ability to form their own magical lodge based on the rites and Gnostic liturgies of my magical order, without having to consult with me or anyone else. The material would be out there for anyone to use, and if someone really wanted to formally assemble a group then they could write me and get my imprimatur and recognition. Otherwise, they would be free to use this material in whatever manner they might wish, forming a group or working solitary. This lore would contain the initiations, the seasonal and lodge based ceremonies, the workings of elemental and talismanic magic, the Grail mysteries and their associated rites and ceremonies, and the overall philosophical perspective of a pagan-based Gnosis that is world affirming and nature oriented, instead of the antinomian tendencies of Gnosis in antiquity and in some circles in the present times.

A final literary endeavor would be to write up my biography. I have been writing this text for some time, but I am behind and need to catch up to the present. I am not done with my magical research and practices, so there would be more to add to it before it would be printed (I hope). I also have a biographical piece about my experiences with the Coven from Hell, or my four formative years with the Schnoebelens, who abandoned Wicca and the practice of high magic to become fundamentalist preachers. My four years in that group is an eye opener, for certain, and it was written as a response to Bill’s book “Wicca: Satan’s Little White Lie”, which I found to be full of falsehoods and misrepresentations, although also revealing things about Wicca that made it seem diabolical. I posted this work in five parts on my blog, but I would like to eventually publish it.

So, that is the full set of writing and publishing that I would like to do in the next few years. I am not certain if my current publisher would be on board with all of these projects, so I might have to self-publish some of them. I feel that this work is important and should be shared with the greater occult community, so I will work towards getting it in print in some manner for the sake of posterity, and to ensure that this lore is not lost when I finally depart this world forever.

Frater Barrabbas

My Life with the Gods

 

Klee - Diana in the Autumn Wind

I can say with little doubt that I was born a Witch, but it took me until my mid teens to actually realize what that was. What kind of child I was could be summed up with the words, overly imaginative, romantic, creative, dreamy, a loner, disconnected from reality, and somewhat hyper active. I was obviously suffering from some degree of ADHD, and that was exacerbated by living under a father who was temperamental and physically and abusive. When other kids in my class thought about who would be successful in life, I would likely have been considered nearly at the bottom of the list. What I lacked was the ability to be focused and disciplined, and I lived in my father’s fearful shadow, since getting any attention from him had highly negative consequences, both physically and mentally. I grew up believing that I was not particularly smart, but was gifted with some creative abilities, even though I took them for granted and really didn’t develop them as I should have.

As a youth, I didn’t fit in with any group and felt too different and apart from my peers. I had lucid dreams that powerfully moved me, and a yearning to find some kind of spiritual meaning to my life. I felt that religion was an internal experience that was personal and deeply significant, but I seemed to lack the ability to find out what that experience was or how to develop it. I dreamed about having unique powers, like the ability to fly, read minds or heal the sick, and I met with strange individuals who I thought were angels without wings, and skulked around locations that seemed so real to me that I felt heartbroken when I woke up to face reality. My waking world, at that time, was devoid of color, lasting happiness or joy, and growing up was so difficult, because adults seemed to live in world where dreams died and reality imposed itself in harsh and limiting ways. I didn’t seem to feel attracted to their world, but then, suddenly, the mod era dawned, to be followed by hippies and the raging counter culture. It is in that tumult that I finally saw my place in the world, or at least the direction I needed to follow. The counter culture brought wonder, joy and vibrant color into my life.

Rock music, psychedelic artwork, drugs, free love and open sexuality were highly attractive to me and my peers, not to mention a kind of renaissance culture that allowed for the exploration of nearly anything, especially old fashioned beliefs, superstitions and debunked ideas of the supernatural, which were resurrected and wrapped up with modern science, science fiction, and fantasy and made available to a spiritually starving middle class youth culture. I was part of that movement, and I was able to find an identity and develop a belief system based on whatever I was able to find that was in print and useful. I did not choose an institution or an organized religious or spiritual group. I chose some kind of imaginative Witchcraft before I really had any kind of material to help me develop my beliefs. In my dreams, I met remarkable people and what I later determined, were actually Deities. They talked to me, and I had lengthy conversations with them, although the content of those conversations were difficult to recall not long after waking, and being functionally illiterate, I didn’t write any of it down.

Revelations came to me in the form of books that helped me define what it was that I had discovered within myself. Earlier, I had scoured the public libraries and aside from historical accounts of the infamous Witch Trials and Scott’s book “Discoverie of Witchcraft” I found very little of use. That also includes the pulp books by Louise Huebner, which according to her, I couldn’t be a Witch because I was a young man. I read Gardner’s book “Witchcraft Today”, but there was very little in the book that I found useful on a practical level. It was when I acquired Lady Sheba’s “Book of Shadows” and Paul Huson’s “Mastering Witchcraft” books that I found what I was looking for, and on top of that, I was given a copy of June Johns book “King of the Witches” that helped to define myself as a Witch, and to understand what that entailed. I also collected the book “You Forever” by T. Lobsang Rampa, that was a text book for gaining psychic abilities. These books became the backbone of my nascent spiritual and magical practice.

Another thing that happened around this time was that I took a large dose of LSD-25 that literally opened the doors of the world of the psychic and visions to me in way that nothing else had previously. I also started to smoke pot and that also helped bring me into the domain of dreams and make that world fully available to me while conscious and fully awake. In the background was the music of the Beatles, Beethoven  and the Moody Blues, and an overworked and overly romantic imagination that gave birth to my magical undertakings and gave names and identities to the Deities that I had been dreaming about and talking with since I was quite young.

Because I had such a powerful imagination (and I still do to this day), I never had any issues about talking to entities and individuals that appeared in my dreams or seemed at the edge of conscious awareness. It was a gift that I later found that few others actually have, but it was born out of an extended childhood, where I retreated into my fantasies to escape the harshness and the fear produced by living in the same house as my abusive father. My father could, and often did, transform a joyous occasion into one of fear, darkness and hurt. I saw my father as a dangerous force in my life that was unpredictable and often even mentally cruel when kindly disposed towards me. In his eyes, I was a disappointing idiot, not to be given much consideration except as a subject of ridicule or a target for the threat of violence. (He did change and mellow over time, but my feelings toward never really changed, and he was hard to be around for any length of time.)

Because my father was a steadfast atheist, and made his opinions about religion quite well known, he persecuted me for my beliefs, and took pleasure in ridiculing them. That only made me more of a steadfast adherent and a rebel against what I saw as his callous and insensitive nature. I did feel deeply, and emotions were my bedrock, and I also sensed other spiritual beings than myself, and I felt the “energies” of churches, people of faith and their congregations, and I knew that my father was dead wrong. Religion was a real and living experience; I knew this because I had experienced it directly. However, to fulfill my rebelliousness and to keep in synch with nature of the times, I chose the religion and faith of Witchcraft, which I believed was the oldest surviving religion in the Western world.

So, when I was sixteen, I unwittingly began my true path within Witchcraft. As I pointed out, I had been talking to dream-based beings who were spirits and Deities for many years prior, but I took it all for granted, and because I was on an ego trip (as all young people are until the beginning of adulthood and its responsibilities), I felt that I only needed to be true to myself. I wanted god-like magical powers, but I felt that they were my due, and I was overly shy about getting religious and bowing down to any of those dream-based Deities, because I had been talking with them for years without having to assume any obligations. I knew that as a true Witch, I would need to bond with one or more of these Deities in my imaginative mind, but I put it off. Developing my psychic powers and experimenting with magic was too much fun to be spoiled by the supposed limitations imposed by some God.

What I didn’t realize at the time was that the one factor in my life that made dealing with my abusive father possible was the unconditional love that I received from my mother. My father mentally abused her, and ridiculed her, but she was a real power that kept the family together and tried to heal the damage that my father had wrought on his children. I saw her as weak because she didn’t stand up to my father unless he threatened to do more than abuse us. I had dismissed her in my mind, because my father had shown her to be weak and ineffectual. However, my mother had more of an impact on me than I realized, and when it came time to directly face one of the Deities of Witchcraft in a kind of spiritual reckoning, I chose the Goddess of Witchcraft in her guise a moon godhead and mistress of magic.

I atoned for my unwillingness to subscribe to any Deity through her, and ever after, I was powerfully bonded to her in body and soul. I would enter into a simple meditative state, bow down with my head to the floor, and call her to come to me, and she always would. I felt a creeping coldness, then a warmth, and she would talk in my mind and her voice had a whispering quality that I compared to the sound of the wind blowing leaves in the street. She taught the basic framework for working a simple kind of magic, and guided me for a few years until I found a coven of Alexandrian Witches who I begged to initiate me into their practice, and they happily obliged me.

What started out as many dream-based personages and identities became a single Goddess, but from there I rediscovered a plethora of spirits, angels, demons, Gods, Goddesses, Demigods and various imaginative entities. They were always there, but I had to learn to recognize them from my dreams as a child. Once in a while I would meet something that was quite frightening in my dreams, but mostly, the conscious reality of living with my father was more than enough fearful, painful and humiliating. My dreams seemed to offer a refuge from that harsh reality, so I never really had any encounter with entities that were terrorizing or frightening. Some of them were odd, and others quite strange and even alien to me, but I always felt at home and protected in my inner world, and it is likely that my internalized impressions of my mother had something to do with this experience.

So, how do I help others to directly experience spirits and deities? First by letting them know that such experiences are not the mark of someone suffering from mental illness. That it is a real phenomenon and not one that should stigmatize someone. Then helping and guiding them to learn and then master the arts of meditation and trance. Entering into that controlled and peaceful mental world is the first step to engaging spiritual entities. Learning to sense and see magical energies (what are called etheric energy fields), and fine tune one’s sensitivity is a never ending process, which can produce astonishing results in some but not all people. I used to promote the ingesting or smoking hallucinogens, and I would still be in favor of this approach so long as it is the means to an end and not the end in itself. Opening the doors of perception can require a sledge hammer approach for some people, but others are sensitive enough not to need such an approach.

Additionally, working within sacred space and adopting a liturgical practice to one of more Deities is also important, and these beings can be engaged with divination tools so they can, in a fashion, communicate with humans. Thus, Tarot cards, I-Ching coins, runes, Geomancy sticks, pendulum, and dice or knucklebones work quite well, and ultimately, godhead assumption and communion will bring the targeted Deity into the framework of one’s conscious mind, making direct communication possible. Once that direct communication occurs, it makes it quite easy to hear and talk with other entities, as if a veil has been lifted, and so it has.

I have worked with many individuals, and they all, through persistent effort, find a way to visualize and communicate with Gods, Goddesses, Demigods, angels, demons and earth-based spirits, faeries, elementals and any other kind of bodiless entities. The key is to be open minded, and open hearted, and the rest will naturally follow.

Frater Barrabbas

Will-Based Magic vs Theurgy

 

 

Goddess of Witchcraft

A while back I attended a class presented by Taylor Elwood, who has been a mentor and friend to me for many years. He was there to help me in the first stage of my literary pursuits. Taylor is also an amazingly brilliant and creative man, and has many books and other media available for those who might be interested in a very fresh and modern approach to magic. We do have in common a disdain for traditionalists and grimoire purists, and we approach magic in a creative and experimental manner. Anyway, in his class, Taylor said that will-based magic has many limitations, and by itself, can often fail more often than succeed. He discussed his own history to emphasize his point that human-centric magic is not the optimal approach to working magic. I heartily agree with this perspective, and I consider it one of the rules of magic.

However, after pondering his words, I was unable to find a time in my life except when I was a teenager just starting out in magic where this kind of rule reduced my expected outcome for any and all magic that I worked. The only successful workings that I managed to perform were with the aid and alignment to my personal Goddess, whom I saw as the Goddess of Witchcraft. I also suspect that beginners fail more often than succeed simply because they are learning about what works for them, and what doesn’t work. It is a continual sorting process that shapes all magical development, from the beginning and throughout one’s magical career.

Still, once I was initiated into Witchcraft proper back in 1976, it profoundly changed both the scope and the rate of success of my magic. It was no longer a matter of hit or miss for me, but it became apparent to me that knowing where to apply my magic and exactly when, and ensuring that I had multiple plans and did the mundane work, was I was able to achieve whatever I set out to do. The only thing that evaded me was finding a mate, but for that situation I had a profound blockage and an inability to clearly see what was internally blocking me. The spirits that I had engaged with over time continually told me what the problem was and how to resolve it, but I was unable to really comprehend and take action to make myself successful in that pursuit as well. Thus, most of my magical workings were successful except in the matter of love, and I have not had any situation where I experienced a complete failure or breakdown regarding my magic and its outcome. (Ultimately, even that issue was resolved over time.)

Listening to Taylor’s short biography and how he had to make a major paradigm shift in his magical thinking, thereby realigning his magical work to ensure a more successful outcome was fascinating, and the contrast between our two paths couldn’t be more stark. However, what Taylor talked about is something that other magicians have related during all too brief moments of personal revelation. If you are a magician, you will likely talk about your successes and achievements and omit any discussion about your failures, and for anyone practicing magic, the failures will outnumber the successes, especially in the beginning. It would appear the Thelemic creed that our true will is indomitable is an erroneous assumption, particularly if we forget that our supposed True Will might be something that is beyond or even contrary to our personal ambitions at the moment. It would seem that our True Will is more bound to our higher selves than to our petty egos. At any rate, the True Will is a misnomer that I don’t consider in any of my magical workings, as we shall see.

All of these thoughts and considerations had me pondering, since I saw a contrast between the experiences and history of what Taylor underwent and what I have experienced. What is the difference between our two paths that might make a difference between what we both experienced over the years? Additionally, we will need to differentiate between the kinds of the magic where the will would play a greater part in magical workings, and where either spirits or planetary archetypes play a greater role. Depending on the type of magic worked, the role of the magician’s will is quite different, so it cannot be either a consideration nor a stumbling block for some kinds of magic. There is also a specific kind of magic where the individual will plays no part at all, but we will get to that consideration in this discussion as well.

If I were to choose forms of magic where the magician’s will plays a critical role then I would pick the energy and information models of magic. Magical energy needs to be visualized in some manner so that it can be generated, but essentially breath and bodily movement are the drivers for that kind of magic. What is required of the magician is where they will imprint the collected and compressed energy field with their desire and then exteriorize it. Information model forms of magic are where symbols and language are manipulated, but it is the will that projects and sets the magical objective in motion. These two models rely heavily on the use of the magician’s will to set the outcome.

Additionally, the magician must also perform various mundane steps to ensure that the outcome is inescapably set, or at least as much as possible. What I have found is that the magician must also work divination both before and after the working to make certain that they have not unwittingly erected any blockages or counter aspirations that might stop or degrade the outcome. As you can see, a will-based magical operation, in order to have a chance of success, must be reduced down to the simplest expression and thoroughly examined to determine that it is clear of any other internal or external impediments or distractions. Any other derivation may prove to be fatal to the outcome of a magical working. What that means is that a will-based working must focus on a single objective at a time so that the energy or manipulated symbols or sigils will apply a more concentrated  magical effect to the overall desired outcome. This is why complex or multiple outcome magical objectives will likely fail to produce results because the energy is dispersed or the symbology is too multifaceted and ambiguous.

The spirit model of magic is not as affected by the will of the magician to set the magical objective of a working. The magician’s will is focused on the task of successfully performing the evocation, and constraining and binding the spirit. If that process is successful, then the outcome will more likely be a success than a failure. However, there are other factors that make this kind of working fraught with failure, and that revolves around the nature and quality of the spirit and the relationship between the spirit and the human operator. Questions that need to be answered in this regard are whether the spirit is the proper agent and has the capability to meet the magician’s objective, and whether the spirit is amendable to doing the work for the magician. Is their relationship on a solid and cooperative foundation? As you can see, there are quite a number of variables involved, so even successfully conjuring a spirit will not necessarily mean that the magical objective will be fulfilled.

Perhaps the least will-based kind of magic is talismanic magic. Generating a talismanic field and charging a metallic talisman artifact during an auspicious moment, not to mention the preparations, research and development needed, requires a level of discipline and consistency that a honed and empowered will can greatly ensure a successful completion. A talisman is where the magician’s objective coincides with the astrological auspices and the combination of planetary archetype and element foundation to forge a charged artifact that will send out its magic continuously as long as the magician keeps a periodic conscious connection with it. A talisman can have its target altered but not its basic qualities, and it can be given to a client to aid and assist them. It is quite versatile, however, it is completely dependent on the combination of the talismanic field, the auspices active at the time of its creation, and the kind or quality of change that it can promote. Some talismanic fields are fast acting but limited in the duration or depth of the change, and others are slow but produce long-lasting changes. The greatest variables are to be found in the natal chart of the operator, since generating a talismanic field cannot overcome aspects and attributes found in the baseline of one’s personality, as determined by the natal chart. Overall, talismanic magic is least reliant on the magician’s will, but it has other, more complex, considerations that must be tackled to ensure success.

That leaves us with few other magical methodologies to consider, but one that has dominated my magical life is the question of the role that Deities, the Higher Self and one’s initiatory “process” plays in the working of magic. Since I was initiated a many years in the past, nearly 50 years ago, I have operated as a Witch under the alignment and in an intimate association with the Deities of my craft, most specifically, the Goddess of Witchcraft. However I have view her, she has been with me since even before I was initiated, but became dominant when I was initiated. That means that every magical working that I have performed since I was initiated was through and within her. She has been my most powerful authority, guide, teacher, law-giver, arbiter, and my principal intercession between the world of spirit and myself.

Additionally, there is my Higher Self, or the God Within, that I have invoked numerous times through the use of variations of the Bornless or Headless One Rite. Whenever I work magic, I do it under the godhead assumption of my internal Deity, so my magical workings are empowered by this singular connection. Since I was initiated many years ago, I have discovered that there is an interactive magical “process” that has been strategically engaged with me while I have endured the fortunes and failures of my mundane and magical life. That initiatory process has ensured that my life’s path has help and assistance so that I will ultimately achieve my overall purpose and directive in life. Sometimes that direction is a mystery to me, other times it is briefly revealed to me in a breath-taking manner. I have faith that my life’s path will not lead to disaster and that there is always a path that can help me mitigate any crisis that I have encountered.  The combination of my Higher Self God-Within and my initiatory process has kept me from encountering a disaster or experiencing complete failure.

How I would define this particular magical and spiritual path that I am progressing through is that it is based on theurgy, or God Work. I am never performing any kind of magic or liturgy without the engagement or intercession of my Deity, both within me and without me. While I may desire, seek and attempt to will something, my work will be for nought unless the Deity is brought into the working. Actually, I would never perform any working without that engagement and connection since it is part of my magical practice. As a Witch practicing theurgy, what I personally will in regards to magic has to be in alignment with my Deity or I won’t make the attempt. I determine the will of the Gods through a more sacred and formal practice of divination, where they are involved in the revelation of what is or what will be. I am also operating in my daily life with an array of talismanic artifacts with all 28 of the Talismanic Elementals actively set, so I can direct magical energy to given direction whenever I might need it. While I am not wealthy, I am comfortably well-off, and so far, my life has qualities that lend to my subjective definition as being ‘charmed.”

So, it would seem that of all of the systems of the magic, theurgy has very little will-based attributes, since the operator has, for the most part, surrendered themselves to the will of the Deity. There is no need to strictly control everything (and everyone), and there is a still-point when my mind and the Deity merge together briefly at the height of a godhead assumption. There is also the requirement for periodic and regular liturgical practices that ensure I am always engaged, aligned and connected to the Deity. This is not a process where the magic is performed once with the optimistic hope that it will produce the desired results. Like talismanic magic, it is a cyclic, periodic and continual process, and it fully objectifies the inward godhead connection into the outer material world. That is the premise of God Work, and it is a methodology that I have used for nearly my entire magical career. I am a Witch, ritual magician, and my magic is theurgic in nature. Since the Deity is involved in this work, the only will that is present is the will of that godhead, both within me and without me. My own will is merely aligned to that greater will, and my magic has been much more successful because of it.

I don’t know a lot about Taylor’s biography, or how other magicians have approached this issue, but I do know that the will of the individual has some severe limitations in regards to will-based magic. Perhaps initiation into a pagan magical tradition might help overcome that limitation, or individuals can learn to modify their approach, just as Taylor has done to create an entirely new paradigm for their magical work. However, I do know that my petty will was sacrificed to the Goddess decades ago, and whenever I have attempted to unwisely to resurrect and wield it, whatever I think I am doing has amounted to a lot of nothing. Fighting against the Gods when you are supposed to be their arbiter in this world is a fruitless exercise, and one that court trouble and spiritual disharmony. Divination is the key to knowing the Will of the Gods; it is to that process of divination and what it reveals to me that I adopt as my unerring directions and guidance in life. Of course, I also talk to the Gods and they talk back, but that is another topic for another time.

Frater Barrabbas