Wednesday, December 21, 2011

Happy Winter Solstice 2011


It is the time of the Winter Solstice and I am on an extended vacation for the next three weeks. I want to first wish everyone a very pleasant and happy holiday season. Be safe, be warm, have a feast, and give a tribute to the Sun God (in whatever form you might perceive him), whose life is renewed this day for another year. I have always loved this season, no matter where I have lived or under what religious regimen I was subjected.

Growing up, I never really got too deeply into the Christian aspects of this holiday, since the wintry weather, the spirit of the changing year and diminishing light had its own magick for me. While I might find myself dragged into a church on Christmas Eve or Day, the whole religious aspect of this holiday was always quite unreal to me. I found the images of Santa Claus, his elves, the reindeer and the sleigh, and the giving and receiving of gifts, along with the colored lights, decorations, songs and the ubiquitous Christmas tree and wreath to be quite magical and wonderful - and I might add, tangibly real. Although I didn’t believe in the customary religious considerations of Christmas, the magic of the season was something that truly inspired me! However rotten things had become in my dysfunctional family life, all of that seemed to be forgotten for the weeks between Thanksgiving, Christmas and New Years. After that, things went back to being grey, colorless, boring and at times, frightful and abusive. (No wonder I found such a haven in the study and practice of magick!)

Much of that magic has disappeared now that I am middle aged, but I find that it’s still there, under the surface, waiting to come out. As a pagan, I can easily relate to the various secular tropes of the season, but the whole ‘birth of the savior’ theme is quite alien to me. Rather, I see it as the rebirth of the Sun God, but I suppose that the Christian theme is analogous to the pagan one. Every year during the holiday season I find myself looking for something special, miraculous and amazing. I guess that’s where the giving and receiving of gifts comes into the traditions of this time, and it’s something that I still very much practice. You give gifts to those that you love and care about in the hopes that it might touch them in some special manner. Conversely, you hope to receive something very special and meaningful from someone that you love - something that you will remember for many years. It is the magick of that moment which makes everything that happens during this holiday season so much more significant and special, even if nothing special is externally received from anyone. I suspect that the real true meaning of this mystery is to be found deep within oneself, and also deep within the mystery of the season itself. This year I am going to be seeking out something special for myself. It won’t a present or a gift received from someone, but instead it will be some undefined quality that will give me a special and meaningful joy.

Also, this season is the second anniversary for the Abramelin Lunar Ordeal that I performed two years ago. It was in December of 2009 that I performed the core of this ordeal, and it was a year later that I determined what I needed to do to complete it. I will certainly be taking up my specially consecrated ring and going into the magick circle, saying a Mass, and calling my HGA to commune with me. I will seek to be grateful for all of the good things that have come my way, and the fact that I am still employed and employable, and that there is plenty of food and drink, good cheer and friends to share it all with. I will be thinking about all of the Solstices of the past (and there are many to think about), and I will also be thinking about what I should do in the future. It would seem that in terms of my magickal and spiritual development, I am at a very pivotal point in my life. I have accomplished much, but there is so much more to develop and complete in the days and years ahead. Since I am no longer young, I don’t feel as though I have an unlimited amount of time to complete my life’s objectives. Anyway, I will be taking some time out to commune with the ghosts of my past and future as the holiday season expands and wanes, to become only a fading memory in the hearts of most, but not all.

Thankfully, the winter has come upon the Twin Cities in the gentlest of ways, softly announcing that winter is here, even though there has been very little snow and most of the ground is bare. November had some warm days, and even now in December, it isn’t too cold yet. I hope that this mildness continues, even though I know it won’t. There will be snowy and cold days yet to come, until late April of next year ushers in the transitional (and brief) time of Spring. I will be waiting for that change with an open heart and pining soul, since three weeks of my last summer were stolen with a terrible cold. I intend on reclaiming those days by getting outside and communing with nature more intensely this coming year, when the sun returns and the warms breezes of May arrive.

May you all have a blessed holiday experience, and may your cookie jar be filled with the cookies of your choice, of course!

(And don’t forget to love your kitties, if you have any.)

Frater Barrabbas

Sunday, December 18, 2011

Where Winter Has No Domain - My Southeastern Refuge - Part 1


The next phase of my life was quite an adventure compared to the settled years of living in Kansas City. It was the summer of 1989, and I had started yet another job with another company. This one was with a telecommunications consulting firm, and I began to get paid a lot more for my DP expertise than previously. However, working for a consulting company is pretty chancy and hazardous with unwanted changes. I sought to leave Kansas City and explore other locations, and one opportunity that came my way was to work in Atlanta. Atlanta was a much bigger town than Kansas City with a warmer climate and more opportunity. It was a very urban environment mixed with a lot of rural and folksy life-styles, a social striation that happened due to the local indigenous population being infiltrated by a host of east coast refugees. It was probably, at the time, one of the fastest growing communities in the U.S., and therefore I decided to throw myself into it to see what happened.

I was living in an apartment with Frater Arjuna when this sudden call to move to another community came upon me. I managed to leave town without causing him too much disruption, and the temple group seemed to be both stable and independent. I was free to leave if I wanted to. So it was in the late summer, I departed Kansas City for Atlanta and engaged in a rather messy and piecemeal move to that large town. I had to learn how to drive very defensively and navigate around that sprawling metropolis. Little did I know how capricious my fortunes would be living in that town with my new job position. The whole situation would last seven months before I would be relocated again. Yet in that short period I made some very important friends and contacts, and had some very interesting adventures. I also made some enemies, too, and had a completely disastrous relationship with a women, whom I later called the “girlfriend from Hell.” I won’t dwell on that situation or discuss it in much detail, only to say that when a young man has moved to a new large town, he often makes alliances that are later regrettable. I was something of a fool and an easy mark for predatory women, a weakness that I wouldn’t conquer for many years to come.

What I was seeking was a new and exciting life, and the pleasant experience of missing winter altogether. I had no idea what winter would be like down there, and even asked a few locals if the leaves would actually change like they did in the north. (They do change, and winter can be cold, damp and even a bit bitter, but without the accumulation of snow.) I had to move into a rather small apartment located outside the perimeter, but I did manage to at least quickly find a place to live. After a few weeks and haggling with my employers, all of the my stuff arrived (more or less), and I was able to put together my own household. I was once again living alone, and that would continue for 16 more years. Needless to say, I was much too busy with my job to spend time actually working magick, but I did have time to develop new lore, and to study and research things. That hiatus would last for less than a year, since my next home would have the required temple space for performing elaborate magickal workings. What I then possessed for temple space was a cramped alcove in my Atlanta apartment, which was useful for saying mass and doing some minor magickal work, but not much else.

Atlanta was, and still is, a very dark and sinister town. By dark and sinister I mean that it is pitiless to those who are seeking their fortune there. It has a very exploitative underworld that consumes men and women and then discards them like so much refuse. That underworld is based on strip clubs, peep shows, small pornographic movie production facilities, S & M clubs, heterosexual and gay prostitution, extensive and widespread drug use, and even some clandestine gambling - in short, every kind of vice. Because Protestant Christianity has such a pervasive influence there, these vices are not joyful expressions of a liberated population, but the vices of a very guilty people who should supposedly know better but succumb to human weakness anyway. Since Atlanta is a major convention center in the southeastern U.S., and it even annually hosts the Southern Baptist Church convention, the city has ironically adapted to cater to any and all needs, however perverse, illegal or immoral.

Outside of the central urban area, Atlanta is actually heavily wooded with tall spindly pine groves growing wherever possible, and all of it is covered with a carpet of kudzu. Abandoned homes and cars are gracefully covered over by the fast growing vegetation, giving it a kind of greenish feral quality. However, there is an implicit boundary in Atlanta that begins just below midtown and continues for miles south through the downtown area towards the airport. It encloses an inner city ghetto that is quite severe and dangerous, even in broad daylight. I have heard rumors that there are neighborhoods in that inner city where even the police won’t venture except when there is a fire or a major accident.

When I moved there, Atlanta had a burgeoning occult and New Age community and boasted nearly a dozen stores and numerous occult, pagan and wiccan groups. Yet that community was already in decline in 1989 when I moved there, and has steadily diminished ever since. Endemic witch wars shattered the wiccan community, and some occult organizations had very seedy reputations. To my knowledge, there are now only two stores left, and both of them reside in the same neighborhood. There are a couple of nice botanicals as well, and one of them has been in business for decades. However, the sex business is still booming, and those who are engaged in it as purveyors of fleshy fantasies are making a lot of money. Those who are its youthful pawns are nothing more than commodities to be used and then discarded. The occultism of Atlanta has been invariably tainted by this remorseless underworld, although, as always, there are some exceptions.   

I had some interesting adventures meeting some remarkable people in Atlanta, a few of which would turn out to be very important to my later occult work. After looking over the underground newspaper for the Atlanta area (called “Creative Loafing”) not long after I moved there, I found that the occult and pagan community was quite large, in fact, much larger than it was in Kansas City. There were a lot of Eastern traditions, represented by Japanese, Chinese and Tibetan Buddhism, Indian mainstream temples and Indian Tantra, and a host of New Age organizations. I also found some advertisements for a local chapter of the O.T.O., and a few witchcraft organizations, most notably, the House of Ravenwood and the Unicorn Grove. I checked out these organizations and snooped around the many occult book stores, and it seemed like my new home was very promising in regards to occult activity. However, what I soon discovered was far less interesting and engaging for me personally.

Eulis Lodge was what the local “body” of the O.T.O. in Atlanta was called at that time, and since they were having an open house, I decided to check them out. I finally found where the lodge house was located (on North avenue, just a few blocks down from the infamous night club Masquerade), but it was in a metro area that bordered upon the beginning of the inner city. Around the block from the lodge house were dilapidated tenements adorned with trash and abandoned cars. It was an obviously economically stressed neighborhood. I found out about this because I went around the block after missing the address of the lodge house. I opted to park my rental car across the street in a vacant industrial parking lot and then walked across the street.

The lodge house was in a state of serious disrepair, and it immediately reminded me of the infamous fraternity house in the movie “Animal House.” Inside, the walls of the house were decorated with various perforations, showing the rib-like timbers behind the ablated plaster board and chipped paint. I also noticed the pervading smell of urine and garbage, and the lack of any kind of air conditioning. The air inside was humid and quite disturbing with the funk of rot, tobacco and unwashed bodies. This atmospheric miasma didn’t recommend itself to whatever was going to be presented at the so-called open house. I also noticed a massive collection of occult books on a shelf in the hallway, and upon examining a few, I noticed that many were the first editions of some of Crowely’s best books. However, all of the books were suffering a slow decomposing death in the humid and fetid atmosphere of the lodge house. A couple years later I bought the ten volumes of the Equinox from the remains of that library through a mutual friend of the past body master, and they still have the stamp “Property of Eulis Lodge” on them. (They were serviceable and inexpensive, but still bear the marks of misuse and an overly humid environment.)

As the open house was about to begin, a tiny handful of erstwhile seekers (like myself) gathered in a room with a few rickety tables and chairs, and a chalk board in front. The body master, whose name was Bill Padgett, stood in the front of the room and began to lecture those of us who were passively sitting before him. He was boasting about the great initiatory line of the occult order of the O.T.O., beginning in ancient Egypt and proceeding in an unbroken line to the present. Any real questions about ritual or ceremonial magick (respectfully asked by individuals such as myself) were inexpertly deflected as irrelevant to the current discussion. He smoked a cigar as he talked, occasionally puffing on it, flicking the ashes on the floor, and even offered some for the refreshment break. The stench of cigar smoke added to the already reeking environment, and I wondered if anyone ever burnt any incense in that house.

By chance I happened to sit at a table that shortly became occupied by a young blond woman who was dressed up in full punk regalia, with multicolored hair and a bizarre set of clothes. She was attractive enough, but was too far out for my tastes. She got my attention when she told me offhandedly that she was a stripper. I also noticed that she was popping some pills while slurping her can of Diet Coke. Although they looked like proper pharmaceuticals, I got the sense that she was doing it for the high rather than for some medicinal need. Another individual sat down next to her and possessively put his arm around her. He introduced himself as Allen Greenfield, and then proceeded to tell me that the woman I was sitting next to was his, and he said it to me in a very firm manner. “This woman is mine! M-I-N-E!” I felt like saying to him, “So what? S-O W-H-A-T!” Needless to say, I was quite put off by the whole spectacle, and I found the lecture to be irrelevant to my particular occult interests. No one talked about magick, and I was treated as if, as a non-initiate, I couldn’t possibly know anything interesting or useful.

The final annoyance to an overall disappointing and unproductive evening was when I had to give Allen and his drug-addled squeeze a ride to their apartment. While in the car, Allen tried to recruit me by telling me how great the order was because they knew so much about magick. He informed me that I would be foolish not to eagerly join. I listened to him boast about himself as I drove, but I had already made up my mind. I wasn’t ever going to return to that lodge house for any reason. One humorous aside, when Allen’s girlfriend got into the back seat of my rather fancy rental car, she whined to him, “Why can’t we have a car like this?” Allen said nothing in response to this whining complaint. From what I later heard, whether true or not, he had previously blown a six digit inheritance on various frivolous vices and was now fairly pinched.

Some weeks later, when I related my experience to my associates in the KC ESSG temple, they coined the label “that ghetto Eulis Lodge” epitomizing my overall experience, and soon afterwards it found its way into the writings of G. M. Kelly, much to the annoyance of Bill Padgett and Allen Greenfield. One of my protege’s in the temple happened to know Mr. Kelly, and told him the whole story while talking on the phone to him. He published an excerpt of it in his Thelemic Newsletter along with a humorous anecdote, and word eventually got back to Bill. I had burned a bridge, but in my mind, it wasn’t really an important one. I decided at that particular point in time that the O.T.O. wouldn’t ever be on my radar in regards to joining an occult group or receiving any ancillary initiations. Of course, that opinion would be remarkably changed later on when I moved to Minneapolis, but that was not until nearly a decade had passed.

My regretful open house experience with the Eulis lodge had pretty much curdled any interest I might have had in the O.T.O. Later on, when I was on temporary assignment in Dallas (while still living in Atlanta), I met a feminist Thelemite who was running a body in that town. I told her about my experience and the reputation that the Eulis lodge had in the city of Atlanta with other occultists, and she was so outraged that she reported our conversation to individuals who were members of the Grand Chapter. They, of course, had a conversation or two with Bill Padgett, who likely found even more reason to despise me. I imagine that he succeeded in assuring his leaders that nothing bad or disreputable was going on at his lodge, but that must have been cold comfort for all concerned.

A couple of years later, Bill dropped out of the O.T.O. and handed the Atlanta body over to Allen Greenfield, who managed, either through neglect or incompetence, to get the lodge closed down by the Grand Chapter. Since that time, at least one other body was forcibly closed, and the O.T.O. organization in Atlanta was still attempting to rectify itself as a competent and earnest occult organization years later. While other O.T.O. groups have shown themselves to be exemplars of occult practices and possessing a peerless magickal knowledge, the Atlanta bodies have been much more akin to badly run fraternity houses, with all of the onerous notoriety which that implies.

I have already mentioned that I spent a few months in Dallas on temporary assignment. From December to March I actually had two residences, one in Atlanta and one in Dallas. I was able to contrast both cities at that time, and I found Dallas to be a lot more open and filled with potential for me. I met a man who called himself the Fish, who was 6' 5" and weighed around 300 pounds. He was the bouncer at a friendly strip club (called “Southern Belles”) and was also an avid occult student. The people I met in Dallas seemed really interested in me functioning as a teacher and initiator. The Fish had a number of friends, including several women who stripped for a living, all of whom desired to have me as their teacher and pagan spiritual leader. 
Unfortunately, I had to leave Dallas after my assignment had ended, but I found myself wavering between attempting to find another job or assignment there and making my temporary residence permanent. I felt at the time that Dallas was just a lot friendlier and open to my way of working magick. Had I stayed, there’s no telling what might have happened. I would have easily been able to form a new magick lodge just with the folks that I had already befriended. After I shut down my temporary residence in Dallas and moved back to Atlanta, the Fish stayed in contact with me, and even visited me the following year. For a few years thereafter, he was keen on learning to master the lore of the E.S.S.G. Because of the Fish and his famous complaint about the steepness of the Order’s learning curve in regards to its lore, I began, in 1992, to write the Pyramid of Powers, my first attempt at writing a book about the magick that I had invented.

However, as I have previously said, I did meet some remarkable people in Atlanta who became long term friends. Their perspectives and insights helped me to master the new ideas and materials that I found myself acquiring through my research and later intensive magickal work. When I moved to Tallahassee, I rented a large townhouse that had an upstairs master bedroom dedicated exclusively as an enclosed and sequestered temple. It was a grand and wonderful time, which lasted for four years, and it also represented a period of career stability and opportunity. My Atlanta adventure only lasted eight months and my consultant job ended in April of 1990. Since I had received very little in regards to any kind of severance pay, I had to quickly find a replacement job. I managed to secure an employment possibility with a company who promised to pay me much more than I had been previously paid by the consultant firm, but the stipulation was that I would have to accept a corporate move to Tallahassee, Florida. Without any other prospects in hand, I decided to take the one in Tallahassee, so by the middle of that month, I had moved down to that town, and soon afterwards, my stuff arrived as well. Even though I had moved to another town, it was a mere six hours drive to Atlanta, so I managed to keep in touch with my friends there, and would, from time to time, come up to visit.

(To be continued...)

Frater Barrabbas

Thursday, December 15, 2011

Impressions of Taoism and the Tao Te Ching


Of all of the Eastern systems of mysticism, the one that I find most akin to my own beliefs is Chinese Taoism. There is something natural, earthy and simplistic about Taoism, and also something that explains the mysteries of life and magick in a concise and profound manner. Unfortunately, my source for Taoism isn’t some faraway monastery in China, or even Boulder Colorado. It’s from the Gia-Fu Feng translation of the “Tao Te Ching” that I have gained a personal connection with Taoism, and I see it as one of the ways of describing the very spiritual core of natural paganism and ritual magick. 
 
I realize that Taoism would seem to be far removed from Western occultism and quite foreign to the practice of ritual magick, but I found that it speaks volumes to me about the very core of the universal spiritual essence in a manner that is superior to any other book that I have found. To me, the Tao Te Ching is a most splendid counterpoint to the hustle bustle and frantic activity of a modern life - or even a modern practice of paganism and magick. For some reason, the Tao Te Ching cuts through all pretensions, revealing to me (and others) the source of all being-ness and its silent, dark and mysterious pathway as it effortlessly threads itself throughout all Life and Spirit.

Unlike other spiritual movements, the actual author of the Tao Te Ching and his history is unknown. He is called Lao Tzu, the Ancient Teacher, but nothing is really known about him, where he was born and when he lived, who was his teacher or point of inspiration. How long did it take him to write this book, and what were his intentions for writing it? Lao Tzu’s name is obviously an honorific, since his real name has remained unknown. All of these questions are never satisfactorily answered, so the author, his mission and intentions are a mystery. All we have is the book itself.

Tao means “the way,” Te means the right way to live, and Ching means text, so Tao Te Ching means the “book of the correct way for humanity to find the way of nature.” I think that this is a remarkable task for all those who espouse an earth-based spirituality - to find the way of nature and emulate it in one’s life and practices.

To celebrant the fact that I am a closet Taoist, I would like to share some of my insights and my particular awe for one of the oldest books of earth-based intuitive wisdom. Even though this book is steeped in the Chinese mysticism of the 6th century BCE, it speaks to me in a timeless but modern and contemporary voice. I hear it clearly as if it were just recently written, and I feel its words presenting to me a reality that is at once infinitely complex and inherently simple. It is the nature of the Tao to be essential, unknowable and the mysterious path between extremes, following a course that perfectly balances the cosmic Yang (archetypal masculine) with the cosmic Yin (archetypal feminine). Perhaps the most profound chapter amongst the 81 chapters of the Tao Te Ching is found in chapter six, where we read that:

The Valley Spirit never dies;
It is the woman, primal mother.
Her gateway is the root of heaven and earth.
It is like a veil barely seen.
Use it; it will never fail.


I have interpreted this chapter as promoting a form of earth-based Goddess veneration, that it also presents to me a form of transformative magick and a kind of Tantric discipline. It has many levels of interpretation, and each time I read and meditate on it, the words grow and expand in my mind. I literally feel chills when I ponder this simple chapter of five lines, as if the words speak far more than my poor mind can grasp.

Yet the really exceptional chapter (and they are all exceptional) is the very first one, which I have memorized and periodically use in my meditations.

The Tao that can be told is not the eternal Tao.
The name that can be named is not the eternal name.
The nameless is the beginning of heaven and earth.
The named is the mother of ten thousand things.
Ever desireless, one can see the mystery.
Every desiring, one can see the manifestation.
These two spring from a common source but differ in name;
this appears as darkness.
Darkness within darkness.
The gate to all mystery.


The author of this chapter, like many of the following chapters, takes the point of one perspective, then looks at its opposite, rotating from Yin to Yang, and back again. This is done in a dispassionate manner, merely stating facts and observations without any judgement. The main concept is that the Tao, obliquely defined as the source or the way of nature, is inexplicable. It has no definition and no form - it’s like an uncarved block or a newborn child.

To name something is to give it form, and that in turn causes it to be no longer capable of being the Source of All. Yet there is no fault associated with this perspective, since it is important to perceive reality from both the perspective of being “desireless” and also “desiring,” or naming and also allowing something to be nameless. As long as we avoid attempting to classify and attribute qualities to things that are of the Spirit World or of Deity, and then attempting to not only explicitly define them, but to believe that our definition represents an absolute truth, we will not err. Mental models are useful, but they fail to truly capture the essence of anything - they are maps, but not the territory.

This brings to mind the concept of defining our gods, giving them qualities and a mythic context, and then believing that what we have derived is somehow the whole picture. What we name and define in regards to the domain of spirit does in fact become limited and detached from the true mystery of that world. When we engage in religious liturgies and give images to the aspects of our Deities, then we have pulled them away from the true reality of Spirit, which is inexplicable and completely unknowable to the rational intellect. What that means is that even as we make mental models and Deities with attributes and human likenesses, we need to leave a lot of room for variations and the unmistakable entry of mystery and spirit. This is because what we assume and believe is always far less than what the actual truth is in regards to the Spirit World. To name and identify something is important, but to believe that the name truly represents it is a falsehood. The true way of nature and spirit is beyond human conceptions and definitions, and if we can embrace that amazing insight, then we will be free to experience the mysteries whenever and wherever they might occur.

A few other chapters of the Tao Te Ching also help to make this point very clear.

Returning to the motion of the Tao.
Yielding is the way of the Tao.
The ten thousand things are born of being.
Being is born of not being.
(chapter 40)

***

In the pursuit of learning, every day something is acquired.
In the pursuit of Tao, every day something is dropped.

Less and less is done
Until non-action is achieved.
When nothing is done, nothing is left undone.

The world is ruled by letting things take their course.
It cannot be ruled by interfering.
(chapter 48)

***

Empty yourself of everything.
Let the mind rest at peace.
The ten thousand things rise and fall while the Self watches their return.
They grow and flourish and then return to the source.
Returning to the source is stillness, which is the way of nature.
The way of nature is unchanging.
Knowing constancy is insight.
Not knowing constancy leads to disaster.
Knowing constancy, the mind is open.
With an open mind, you will be openhearted.
Being openhearted, you will act royally.
Being royal, you will attain to the divine.
Being divine, you will be one with the Tao.
Being at one with the Tao is eternal.
And although the body dies, the Tao will never pass away
. (chapter 16)


I could go on and on, but there is little point in doing that. The simple quotes above all point to a profound natural wisdom of the earth and its ceaseless cycles. Instead, I should contemplate this wisdom and seek to find that place of power and peace within me, and ultimately, I may know the True Way of Nature, which can’t be written, spoken about, named or in any manner defined or identified. The true mysteries are inexplicable and all around us, if we can just shut off the ceaseless mental talk in our heads and really witness it for only just a moment.

As Lao Tzu has so eloquently put it - “Those who talk do not know, those who know, do not talk.” May I be embraced by the silence that is deafening and the emptiness that is full. May my head be emptied of non-essential beliefs and my heart be opened to all possibilities. I hope that you have found this meager introduction to Taoism to be useful and perhaps even seductively enticing. I will be occasionally presenting more ideas like this in my articles to counterbalance the heavy orientation to mental models and definitions.

Frater Barrabbas

Monday, December 12, 2011

Thoughts About the Real Hogwarts


A lot of people who love the Harry Potter stories and have read the books (maybe even more than once) have taken some of the obvious fictional concepts of magick found in them as truly representing the methods whereby one becomes proficient in the art of ritual or ceremonial magick. Of course, these books are completely within the literary domain of fiction, and the author has maintained she didn’t incorporate any real occult lore into the stories. Anyone who is a real practitioner of magick and who has even a passing knowledge of the stories would agree with Ms. Rowling’s opinion. Real magick isn’t at all like what is practiced in the stories, but some folk, especially a lot of kids, seem to think that it is. Others have capitalized on this misconception, yet the best of them offer a compelling variation on the themes that Rowling has created in her books. I am, of course, referring to Oberon Ravenheart’s “Grey School of Wizardry,” which I believe is an excellent bridge between the fantasy of Rowling’s Hogwarts and real pagan occultism. You can find a link to Oberon’s website here.

However, as a fan of Rowling’s books (yes, there is a child-like side to me, too), I have often thought of what a school of magick would be like if I ran it. You could imagine that it would be called something like Frater Barrabbas’ School of Pagan Magick, or maybe the “Pansophic Academy for the Dilettante Dark Arts.” How about the “Occult Guild for the Ultra-self-absorbed?”  Anyway, I would like to present the kind of occult curriculum that I think would be important and useful for someone to begin the road of mastering the art of ritual magick. Gee, what a catchy phrase - it would make a good book title, yes? Oops - it already is a book title, and in fact, it’s one of my own. Sorry about that - just another senior moment of mine. Let’s continue with the article at hand.

So what would I propose to teach in a school dedicated to the kind of ritual magick that I practice? That’s a good question, and even if I never get around to actually building a school with a regimen of occult course work, going over a curriculum would at least give my readers an idea of which topics I consider important, and which ones I don’t think are important. Anyone who has studied for a time is going to have their own list of topics, but since this my blog, we shall momentarily allow me to indulge myself. What would the Barrabbas Tiresius School of Magick curriculum be like.

I won’t bother putting together a four year curriculum where students would be spoon fed their subjects over a period of time. Instead, I will assemble a group of topics that I consider to be crucial for an aspiring magician. I will let each individual take as much time as they need to master each topical area, but I will emphasize that some degree of mastery is important. Anything less would lead to possible problems later on, either in the area of confusion or personal delusion. Anyways, here goes - let me know what you think of this curriculum.

1. Divination - Perhaps the most important mechanism for occult self discipline is the mastery of divination. In the Harry Potter books, divination is considered the least important of the classes that a witch or wizard should take. Yet, in my personal experience, it is likely the most important topic that anyone aspiring to be proficient at ritual magick could possibly learn. The reason why this is true can be simply stated: “A magician who is unable to work any form of divination is effectively blind and insensitive about the greater mechanics of the Spirit World.” Not only does divination open a window into the Spirit World, but it also facilitates a sensitivity to paranormal phenomena and helps one to understand the symbolic language used in that domain.

Elements and aspects of the Spirit World are revealed in a rational manner through divination, and it also allows the magician to understand his or her world, fate and personal destiny. Without these tools a magician can only guess at what is required or needed for a successful operation or how to work on a specific problem and be capable of successfully resolving it. If the occult were so opaque (cut and dried) that divination wasn’t needed, then it wouldn’t be called the “occult,” now would it? The Spirit world is very oblique and inexplicable, so it expresses itself only through symbols and allegories. Not knowing the language of occult symbols and allegories and trying to function as an occultist is like attempting to communicate in Italian without knowing any of that language. Learning divination teaches the aspirant to understand the symbols and allegories through which the Spirit World communicates its mysteries. Competent ritual magicians should be fluent in several forms of divination, although they will likely be exemplary in only a few. Here’s a list of divination systems that a student should learn, and they are listed in the order of greatest importance first.

  • Astrology
  • Tarot
  • Geomancy
  • Runes
  • I-Ching
  • Crystal Skrying
  • Pendulum and Dousing
  • Palmistry
  • Aura sensing/seeing
  • Envisioning or Dreaming True

There are, of course, many more, but I think that these would represent the top ten.


2. Qabbalah - Yes, I know what some of you are thinking - why the Qabbalah? Well, as a meta-system for all religious and occult systems, I think that a working knowledge of the Qabbalah is very important. Since most occult systems refer to the Qabbalah, knowing it would seem to fill in a lot of blanks that would otherwise remain unfilled if one were ignorant of the Qabbalah. Also, if we consider that working any kind of magick is greatly enhanced by a competent ability with the Qabbalah, then it could only greatly aid the erstwhile student to master it.

3. Pagan theology and liturgy - This is where religious practices and magick coincide, and for the type of magick that I work, it is a very important intersection. Liturgical rites would include all forms of rituals and workings that involve spiritual alignment. Pagan liturgy would include the rites of devotion, spiritual service, godhead invocation, communion, charging and blessing, and the most important, godhead assumption. Such rituals require an in-depth knowledge of theology, choosing a pantheon, knowing the myths, stories and songs, the proper offerings and methods of devotion and service, as well the calendric rites and celebrations in order to produce the final product of such a regimen of study, and that is a spiritual discipline (to augment the magickal discipline). In addition to the above, training in meditative postures, temple dance and movement, meditation, contemplation, visualization, trance work and body work, grounding and centering would also be important areas of mastery.

4. Magickal Theory and Practice - Learning the theories and mechanisms of the three basic models of ritual magick: Energy, Spirit and Psychology. Of course, there are specific methodologies and techniques that are strictly within these three models, but most systems of magick incorporate all three. So the ultimate aim of any such training would be to identify the usefulness of all three models in a single system of magick. Learning to write good rituals and ceremonies for all occasions as well as the optimal methods of ritual performance would be the ultimate goal of this course. 

5. Practical (Earth-based) Magick - Learning the most simple and basic techniques for making changes in the material world (through a mastery of the operant link). This methodology would include using different systems of divination and magick to chart a life-based strategy, both for short term gain, and for long term material mastery. Also included in this instruction would be learning how to acquire and manage information, to be able to effectively research and discover strategic data, especially inside or intuitive based information, and using it to develop a larger perspective useful for charting one’s life-path. Another important topic would be to learning how manage one’s finances and to create and follow a budgetary plan. (You would be surprised by how many occultists have problems with mundane money issues.)

6. Mundane Arts and Sciences (All of the external studies important to magick) - History, Anthropology, Biology, Psychology, Geometry, Sociology, Comparative Religious Studies, Music, Poetry, Linguistics (magickal languages), Literature, etc.

7. Craft Works - learning how to manufacture magickal tools, devices, talismans through metal, wood, textiles, and leather work, using painting and calligraphy, performing candle making and oil lamp management, food preparation, flower arrangement, theatrical works (makeup, masks, stage lighting, script writing, directing, blocking, and acting), herbal lore, acquiring and using magickal substances (elixirs, supplements, drugs), basic local and continental occult geography, woodcraft (camping) and mastering the four mundane elements.

So these are the seven areas that would be the main course curriculum for Frater Barrabbas’ Pagan School of Ritual Magick. I supposed that you could either emphasize one category or another, or even add additional ones that I have forgotten or omitted. The above categories would represent the list of things that I have at least dabbled in or even mastered in my many years of my magickal practice. Of course every magician would likely produce their own list, so I would like to request that if you can think of anything else that might be added, or perhaps put together your own list, please write up your thoughts in the comments section of this article. You might even write up your own blog article, too.

Frater Barrabbas

Friday, December 9, 2011

Thoughts About Magickal Ethics


I should also entitle this article - “What to do when virtue fails!”

Recently, there was a hotly discussed topic concerning ethics and magick between various blog authors in the blogosphere. I was busy at the time and didn’t really have time to respond to the various threads that were out there. I won’t bore my readers with the details or name any of the individuals who were engaged in this discussion (it was just the usual suspects anyway). The real crux of the issue is whether or not ethics is important in the practice of magick.

Some have stated that there should be a course in magickal or occult ethics that goes with any book or course on how to practice magick. Ethics do impact such disciplines as the hard sciences, soft sciences, business colleges (although one would think that such tropes would be quickly dropped once in the real business world), and even large corporations and professions. A lawyer can be disbarred for unethical behavior, and a doctor can lose his medical license for a similar lapse. The company I work for has annual training sessions in ethics, and requests its employees to report unethical behavior whenever it occurs. I would assume that this is rigidly enforced to ensure that the company retains its good reputation and avoids costly legal battles where possible. So if ethics seems to be important in the exoteric world, then it must be also important for the esoteric world as well.

Yet when it comes to working magick, ethics is a very subjective quantity. Witches are supposed to align themselves with the Wiccan Rede, written by Ms. Valiente, however, she never wrote this slogan with the idea that it was to be used as some kind of law. For those who might be unfamiliar with this slogan, it has been variously quoted as “Eight words hath the Wiccan Rede - And it harm none, do what thou wilt.” Some have compared this law with the similar sounding slogan derived by Aleister Crowley from the “Book of the Law,” but they are quite different. Even so, the slogan about not hurting anyone was always taken as a suggestion or guideline by Ms. Valiente and not put forth as a defacto law. Of course, if you think about it, abiding by this law takes the teeth out of being a witch in the first place, so many, especially the old guard (such as myself) will tactfully ignore it.

If there is any kind of ethics to be used in witchcraft proper, it would be to keep oaths of secrecy, don’t cheat, curse or steal from coven members, and don’t get caught by the authorities doing malefic workings. Otherwise, witches have always been known as being outside of the laws of the land, so as “outlaws,” they are free to do whatever they wish to do. The only caveat is that they take responsibility for their actions, and if things go wrong in their magickal operations, then the only one to blame is themselves. This is based on the folk tradition of witchcraft, and is often the place where one goes to determine a realistic approach to working witchcraft outside of a strict tradition. Some traditions of witchcraft are rather strict about performing what would be called “black magick,” but other traditions rely on the common sense of the operator.

I believe that anyone who calls themselves a witch should have the ability to defend themselves and to use whatever means necessary to protect themselves from the predation of others. Working malefic magick isn’t always the answer to a problem, and sometimes solutions can easily be found using one’s common sense or what I call the direct approach. When wronged, I always use the direct approach to getting justice, and when that fails, only then would I resort to magick, if indeed, it is warranted. You see, that is the key to this whole issue, which is what I call justification. If you are justified in working magick against someone, and you have exhausted all other approaches, then you can perform your malefic working with a clear conscience. If it fails or backfires, then it’s completely your fault, and only you will reap the consequences. Perhaps the easiest way to find out if you are indeed justified is to talk to someone who is not involved with the situation and see if they agree with your opinion. If they strongly disagree, then you should seriously rethink what you are about to do.

When I say exhaust all other possibilities, that’s exactly what I mean. If someone threatens you or any of your loved ones with physical violence, then contact the local constabulary and get a lawyer. If someone is threatening you with a lawsuit or claims that you owe them money (and you don’t), then contact a good lawyer to guide you and protect your interests. Same thing if someone has cheated you out of money or taken something from you. You can also work magick to ward yourself, your home and your loved ones in addition to using more direct methods of self-protection without having to resort to cursing someone. Still, if the direct methods fail to protect you, or if you are unable to get the justice that you deserve, then more extreme magickal methods are open to you. Of course, this assumes that you are justified, since working negative magick to force unjust results could readily backfire. This caution also applies to what I call a guilty conscience. If you aren’t sure of yourself or if you feel any regret about doing something wicked to someone, then you shouldn’t do it. Otherwise, as a witch, you may proceed to “puttin’ a hurtin’ on someone.” The key to the ethical consideration is that you are eminently justified in taking this kind of action (others think so), and you feel very, very strongly that it is both right and good.

These kinds of actions are typically called “black magick” by the masses. I see them as the kind of magickal workings that seek justice and self protection and the protection of one’s loved ones. These represent what any witch must consider when virtue fails. When your back is against the wall, you come out swinging, using whatever tools are at hand to get justice, retribution and to retain your personal honor. I know that some folks will be dismayed at what I am advocating here, but if you are engaged in a life or death struggle, adhering to Queensberry rules (and fighting fair) is a complete waste of time.

My approach to ethics is to use common sense, a dispassionate analysis of the problem, ask other people’s opinions about the matter, search out other ways to resolve the issue, including talking, writing letters, engaging a lawyer and/or contacting the authorities. I reserve the use of forms of negative magick when all other means have failed. So far, I have very seldom had to resort to performing any kind of malefic magick in nearly four decades of being a witch. So now that we have gotten that issue covered, we can move on to other more interesting topics.

Frater Barrabbas

Tuesday, December 6, 2011

I Am Not Frater Barrabbas


Many years ago, after Star Trek (the original series) had gone off the air and the fan mania began to really spike to a desperate level, Leonard Nimoy wrote a book that sought to explain to that fan base that he was just an actor, and he was not Spok. Mr. Nimoy discussed how some fans had approached him with absurd requests that only the character Spok could have done, such as mind-melding or other attributes associated with the TV show character. This caused Leonard Nimoy some consternation, since he was, after all, just an actor and not an alien named Spok. So he wrote this book to explain what was patently obvious to himself and many others; that he was first and foremost a plain old working stiff like everyone else. There was nothing sensational about him, nothing special - in fact, he didn’t even consider himself a talented actor.

This was a rather modest pronouncement, since out of the entire cast of Star Trek, Mr. Nimoy has shown not only a competent acting ability, but also abilities in the disciplines of script writing, movie directing and producing. Even so, you have to admire him for telling his public that he wasn’t Spok. (Contrast that to Clayton Moore, who all but told his public that he was the real “Lone Ranger.”) The character Spok was just something that Mr.Nimoy had invented, a kind of acting persona useful for a TV show that only lasted a few seasons. Little did he know at the time that the character Spok would become so well known and loved by his fans that it would take on a life of its own in their minds and imagination. What he had to do was create some boundaries for himself so that others would realize that Spok was a fictional character.

So why am I relating this story and what does it have to do with the surprising title of this article? The reason is subtle but also obvious. My pen name, Frater Barrabbas, is a fictional persona that I use to promote the books that I have written, my system of magick and the magickal order that I represent to the public. While I may illuminate ideas, insights and opinions that do indeed belong to me, my author’s persona, Frater Barrabbas, doesn’t really exist. In truth, I am just an ordinary person who has had some rather unusual life experiences, but then again, so have many other folks. My intention is to share ideas and perspectives about ritual magick, and to aid and assist my readers in mastering their own process and doing the magick for themselves. What I am not trying to do is to create a cult of personality around myself.

However, I have recently been getting, from time to time, more unusual emails making fairly outrageous requests of me. A few have presented me with terrible life issues that are afflicting them, and have asked me to intervene so that through magick I might miraculously change their fortunes. These requests, if they are true, deeply touch me with sadness, but there is little that I can actually do to help them. Most people send me kind words or encouraging compliments, others tell me that they disagree with what I have written - all of this is well received and appropriate. Yet it seems that I am starting to get more outrageous emails as my popularity and notoriety expands, so I felt compelled to write this revealing apologia.

I have found that when I write articles and state my opinions to the public, and even banter with other occultists, it’s always within the persona of Frater Barrabbas. Seldom do I actually reveal my true self hiding behind the scenes, since that real person doesn’t want publicity or any notoriety to intrude into a very private life and career. While it might be true that such a revelation might not jeopardize my mundane existence, I have found that it is more expedient to use a pen name. Using an author’s persona also forces me to apply a great deal of professional discipline when dealing with the public. This means that I must overcome my true feelings about a matter and respond in a tactful and dispassionate manner, even if that means stepping away from a hotly contested issue for a time and writing about it later when my passion has abated. I have learned the hard way that to write scathing or threatening emails, articles with a lot of cuss words or flaming replies to those who disagree with me is highly unprofessional, and it’s also really stupid! If I act like an obnoxious idiot, then that will really distract and interfere with the real purpose for my writing, which is communicating my ideas.

To understand why I use a pen name, you would have to go back to where I lived in the past couple of decades. Some years ago I lived in a part of the country where sectarian prejudices could indeed make life difficult for me if it were known that I was a hard core occultist. I have always felt that it was prudent to mask myself with a pseudonym in order to safely present my beliefs and practices to the public. Even though I have moved away from that part of the country, the habit of using a pen name has continued. My author’s mask is not particularly opaque or very effective, since anyone who really wants to know who I am could find out on the internet without too much difficulty. I am continuing to use this pen name to establish some boundaries within my life, and not out of misplaced fear, and I am hoping that my readers understand this point.

Does that mean that I am a fraud or somehow duplicitous? Actually, no! What I say in my books is true, as far as I know, and much of it is based on my own real experiences. My biographical pieces do indeed reveal my actual history, but mainly through a tightly focused occult lens. My mundane life and its various happenings haven’t been fully revealed in any of my articles or writings. There is still quite a bit about me that is kept private and locked away in my heart and soul. That part of me is the real me, and it powerfully affects who I am and how I act towards others; but it’s not the part of me that I reveal when I am writing as Frater Barrabbas.

For instance, I certainly wouldn’t talk very much about my love life unless it had a bearing on the topic at hand, and then it would be made into more of an interesting story, colored by my occult proclivities and esoteric understandings. I am writing to present my ideas, thoughts and reflections, and at times I might take a few liberties with the actual facts to get those ideas communicated. I don’t lie or make up stuff; I just don’t tell the whole story, or I might even embellish a fact or two. I also omit things that I consider to be too personal and too revealing about the real me. I am sure that you can find those omissions, especially when I briefly mention something and then go on without explaining it much. The details of my mundane life are really no one’s business but my own, so I do have boundaries that I seek to maintain.

Additionally, my persona, called Frater Barrabbas, has a certain personality that doesn’t really represent me in a clear light. Frater Barrabbas is all about the glamor of occultism and ritual magick, and not much else. That really isn’t who I am, since I have a life style, a career and an important relationship that I am often engaged with. If you read too deeply into the Frater Barrabbas persona you would think that all I do is work or study magick nearly 100% of the time. A misconstrued impression is that Frater Barrabbas is an unrelenting, self absorbed, occult fanatic. He has shown a tendency to be arrogant, impatient, judgmental, overly intellectual, too confident of his “truthiness” and even sometimes a bit of a prick (according to my girl friend). That isn’t the real me, since I am often scratching my head about something that I am trying to figure out, or failing to adequately judge people or situations. I have a somewhat weaker personality with less intense opinions than how my persona is presented. I have doubts, fears and worries - pretty much like most everyone else. I am not insane (certainly) or delusional, and sometimes I revel in not thinking about anything serious or philosophical at all. Sometimes I just enjoy having some mindless fun. That’s the real me behind the occult author facade, but of course, there’s a lot more, too.

So if I say as a reminder to everyone that I am not Frater Barrabbas, then you might understand that I am just stepping away briefly from my author’s mask to speak to you as a real person. It won’t happen often, but at least you have been advised about this little fact. I am hoping that by writing this article that I might be able to stop some folks from sending me outrageous requests that I could never accomplish. I don’t know the winning lottery number (if I did, I would use it myself), I can’t levitate or cause others to fly, and I am not a miracle worker. As I have previously stated, my purpose for writing is to help people learn to use their own magickal powers. Even so, magick is really a human phenomenon. It can bend probabilities, but it rarely causes miracles. Since I am writing through an author’s persona to help teach others what I know, it doesn’t mean that I am all knowing or all powerful. Far from it! I am just a human being with certain particular virtues and flaws. If you send me an outrageous email request or come up and ask me to perform miracles for you, then I will have to back off and politely say to you, “I am sorry, but I am not that Frater Barrabbas!”

Frater Barrabbas

Saturday, December 3, 2011

King of the Cats


“Cats remind me of a true story,” he said to the mesmerized boys, speaking as if he were merely yarning, as if nothing but entertainment were on his mind. “It’s an old story, but the truest stories are very often the oldest ones. This was told by Sir Walter Scott to Washington Irving, and by Monk Lewis to the poet Shelly – and to me by a friend of mine who actually saw it happen.

“A traveler, in other words, my friend, was journeying on foot to the house of a companion – not me – where he was going to spend the night. He had been walking all day, and even though it was already late and night was coming on, he was tired enough to rest his feet when he came to a ruined abbey. He sat down, took off his boots, leaned against an iron fence, and began to rub his feet. An odd series of noise made him turn around and peer through the bars of the fence.

“Down below him, on the grassy floor of the old abbey, he saw a procession of cats. They were formed into two long equal lines, and were marching forward very slowly. Now, of course he had never seen anything like that before, and bent forward to look more closely. It was then that he saw that the cats at the head of the procession were carrying a little coffin on their backs, and were making for, were slowly approaching, a small open grave. When my friend had seen the grave, he looked horrified back at the coffin borne by the lead cats, and noticed that on it sat a crown. As he watched, the lead cats began to lower the coffin into the grave.

“After that he was so frightened that he could not stay in that place a moment longer, and he thrust his feet into his boots and rushed on to the house of his friend. During dinner, he found that he could not keep from telling his friend what he had witnessed.

“He had scarcely finished when his friend’s cat, which had been dozing in front of the fire, leaped up and cried, ‘Then I am the King of the Cats!’ and disappeared in a flash up the chimney. It happened, my friend – yes, it happened, my charming little birds.”

Shadowland - by Peter Straub (p. 8 - 9)

***

One of my favorite fictional stories is the novel Shadowland, written by Peter Straub. It’s a story about magick, magicians, youthful regret, the loss of innocence, and the battle of good against evil. Except for the description of the supposed magickal abilities involved, which regrettably are based on the levels of magic as found in DND, the rest of the book is quite a fascinating read, especially for someone who is really seeking to master ritual magick. The most fascinating story in the whole book, oddly, is one about the King of the Cats, which I have purloined above for your enjoyment and discernment.

Mr. Straub has admitted that his main source of inspiration for his novel is the book written by John Fowles (1966), called “The Magus,” and I did notice, when I first read Shadowland, the ghost of that other story lurking behind the scenes. Both stories are highly recommended fictional reading, in my humble opinion. If you haven’t read them, then I would advise you to do so sometime in the future. I believe firmly that the student of magick and the occult should read both non-fiction and fiction in order to get a complete picture of the mythic reality of the domain of Spirit, and its intersection with ritual or ceremonial magick. Often, fiction reflects the content of what is popularly believed in a culture or sub-culture, and this is excellent fodder for occult creativity and speculation.

So you might be asking yourself why I have quoted a short passage from Mr. Straub’s book, and what does the art of ritual magick have to do with the King of the Cats? That’s a good question, and one that I intend on answering in this article. It would seem that the story presents an obvious morality play, where an aging amoral antagonist fights against a young idealist protagonist. The fight is where an older adult, who is the master of his domain, fights a losing battle against a boy who has just emerged into manhood. The battle is infused with illusion, deception, delusion and the hubris of old age; but the prize that they fight for is the domain of sorcery itself, which Mr. Straub calls Shadowland. He who is the master of Shadowland is the rightful heir to the jeweled Owl Throne, and receives the title of King of the Cats. For this story, the greatest master of magick is the reputed king of all other sorcerers, and he must rule with a certain cruelty in order to keep his high station.

The antagonist in this story is a man named Coleman Collins, a retired stage magician and master occultist, who through remorseless aggrandizement and the corrupt use of his godlike powers has acquired for himself a beautiful secluded country estate on a private lake in Vermont, and vanquished all of his enemies. Unwittingly matched against this rather powerful and evil magician is the innocent youth named Tom Flannigan, who discovers his own godlike powers as he tries to defend himself against the older man. Tom is the friend of Coleman’s nephew, Del, and is enticed to visit the secluded estate of Del’s uncle because in meeting and befriending him at the private school they both attend, Tom feels the instinctual need to protect and be a true friend to him.

Of course, nothing is at it seems, and there are many layers to the unfolding adventure. This is also not a children’s tale, since it involves the dark forces that lie at the very depth of human depravity and debasement. I could easily see Anthony Hopkins playing the part of Coleman Collins, since he has that innate ability to play the dual character of the menacing and evil sorcerer disguised by the charming elderly retired stage magician.

Coleman has murdered his way to the vaunted Owl Throne, and now as an old man, he seeks to keep his place despite the fact that his time is passed and a new powerful sorcerer has come to take his place. Only death can resolve this competition, and so the stakes are very high indeed. When Tom wins this contest by default, he becomes himself the King of the Cats. Yet Shadowland is irreparably changed, and Tom enters into the world as a man scarred by terrible circumstances, and he lives a life that is desultory and low key as a hapless stage magician playing shabby clubs. Yet as I said, not everything is as it seems, and even the under achieving magician hides a deep and terrible secret, about powers and domains that few can either see or understand.

So once again, what does all of this have to do with magicians and sorcerers in the real world? Why is this tale so compelling to me (and I might add, to many others)? Magicians are mostly dull characters scratching a living like everyone else, but also having to feed their ever hungering monomania for mysteries and hidden or occult knowledge. They may jostle each other from time to time, and perhaps even annoy the shit out of their fellow magicians, but it is all unglamorous and perhaps even a bit petty - so unlike the story.

We are all like the cats in the real world, each taking its turn at being the alpha cat, but always being turned out by some other cat with a more frightening meow or a more menacing and hissing puff-ball facade. I have to say that as the owner (if such I could be called) of four cats, I have gotten quite a bit of exposure to how cats work out their boundaries and establish supremacy amongst each other. When I read this story I had imagined that there was a kind of hierarchy amongst magicians, and that perhaps one of them was the King, or King of the Cats. I had thought that if I became good enough at my studies and adept at my magickal work that I would be brought into this hierarchy, but alas, all I have found after these many years is a kind of chaotic one upmanship where anyone can claim supremacy, but it is never taken seriously by anyone else. We are more like a bunch of overly fed house cats in a very large mansion - everyone gets to pretend that they are dominant without having to really prove it.

Morgan Drake Eckstein calls his house cats the Secret Chiefs, but that would represent a more democratic kind of polity, which would be a meritocracy that no cat would ever tolerate. In observing and even talking to my own cats, I have found that they are much more inclined to royalty and feudal fiefdoms, ruling by guile and fanged fiat as long as they can, which usually isn’t very long. You can always find another cat who will claim to be dominate and challenge the status quo, which is always changing and in flux. Perhaps magicians and sorcerers are more like real cats, seeking dominance, but always finding themselves ultimately in an inferior place due to the cleverness or craftiness of some other feline practitioner.

As I think about this trope, I feel a brief tinge of sadness and bitter remorse. How wonderful it would have been to eventually be able to sit on the jeweled Owl Throne and tell the world: “Now I am the King of Cats!”

Frater Barrabbas