Thursday, July 8, 2010

Channeling Deity vs. Regressive Trance



This article was incorporated as an edited version in the book “Mastering the Art of Ritual Magick - Grimoire,” but I have often thought that it would be important to present as a stand alone article with more of its original material. Godhead assumption is a very controversial practice amongst witches and neopagans, and unfortunately in some cases, it can also lead to exploitation and emotional abuse. This is not to say that every priest or priestess is guilty of that kind of excess, far from it! It does occur infrequently, but also consistently. Some have had these kinds of terrible experiences, but there is a methodology that, if followed, would preclude them from ever happening. This is the major premise of my article - that there is a way to promote sane occultism while channeling the deity.

In the early 20th century, the notorious arch-magician Aleister Crowley advocated a system of magick where the magician, through deep trance, identified and became the personification of her personal magickal Deity. This was not really a new concept, since there were plenty of religious cults and earth-based spiritual traditions that used this approach to create an immanent experience of the Deity. However, it was a new concept in the tradition of European ceremonial magick, and it radically changed how that system of magick was practiced. We can trace a fracture in the tradition of ceremonial magick to the writings and practices of Aleister Crowley, where ceremonial magick continued on well into the next century, but was gradually overtaken and even replaced by a new methodology.

This new methodology required that the magician not only invoke a chosen magickal Deity, but also completely identify with it, so that the magician acted as a personification of that Godhead while practicing magick. Gone from the preparation stage of magickal practices were the extreme strictures of piety and self abasement as well as fasting, ritual flagellation (either real or metaphorical), confession, contrition and all forms of atonement. Instead, the magician created a personal cult of the Godhead, serving as avatar, chief liturgical official, ardent devotee and congregant all in one. The magician used this assumption of the Godhead as the pivotal point to work magick and placed all of the moral justifications for that work, not to mention the authorities and powers of the chosen Deity, directly into the performed rituals or ceremonies.

How this is done is that a magician creates an imago of the detailed image of the Godhead and proceeds to serve and align with it in a consecrated temple or grove, thereby assuming its personality. This technique powerfully advanced the practice of ceremonial magick, using what would be considered an archaic mechanism for the experiencing of Deity. These practices are neither new or revolutionary, since they have their roots in forms of Shamanism and other ancient types of earth-based spirituality. Godhead assumption is the technique of assuming a high trance state and then merging one’s personal Deity into one’s conscious being, and this is done as a prelude to all works of magick.

This new discipline of magick found its way into all of the various new religions that were inspired from Aleister Crowley’s writings and practices, most notably the religions of Thelema, Neopaganism and Wicca, or Modern Witchcraft. However, one aspect of this new methodology that was clearly authored by Crowley was the rigorousness of the devotions and preparations, the profundity of the assumption and even the testing of the results by those who participated. Since Crowley found any primitive form of channeling or mediumistic practices to be highly offensive, the rigorousness of the preparation and the obligatory testing of the results were extremely important. The reason for all of this was to make certain that the resultant channeling of the Godhead was genuine and unadulterated by the medium’s personality, bias or pathos.

Crowley, and the tradition of Thelema that he developed, went to great lengths to promote the immersion of the individual within the imago of the Deity, and they touted this method as the new central tenet to the practice of ritual magick. Other succeeding traditions incorporated this central tenet as well, but the corresponding rigors of assumption and the testing of the outcome were less emphasized, until they disappeared altogether.

Even amongst the more supposedly archaic earth-based spiritual traditions, assumption of the Godhead is a rigorous process that is experienced by lay persons and clergy under controlled and monitored circumstances. Aberrations and excesses are strictly dealt with, and the gods and goddesses are too well known and identified to be either faked or regressively emulated. Problems such as these are easily dealt with in these older traditions, but not so in the new earth-based spiritual systems of Neopaganism and Wicca.

In these traditions, sadly, the central tenet of Godhead assumption is exclusively lionized, but all of the rigorous preparations, testing and examining of the manifestation of Deity are omitted. How this methodology is often practiced is that the subject assumes a trance state that is regressive and hypnotic as opposed to transcendental and deeply immersed in the domain of Spirit. Once within this tainted state, the subject proceeds to channel a Deity that is infused with the fragments of the medium’s mind. These fragments manifest in a chaotic or barely coherent manner, since they are no longer pulled together into some semblance of order by the conscious ego. The resultant manifestation of Deity is merely an hypnotic extension of the medium’s own personality, fragmented and disjointed and infused with a regressive psychic energy. When such a Priest/ess is channeling the Deity, there is no rigorous period of preparation and no test for the outcome. The occurrence is accepted as is, and in fact, it is considered disingenuous or even sacrilegious to scrutinize either the manifestation or its medium.

The lack of established standards allows for all sorts of excesses, from outright fraud to manifestations of regressive personas that spout irrelevant profundities. It can even demonstrate the most horrid paroxysms bordering on the epileptic. While this might be acceptable to tribal shamans and other native practitioners (typically done for show), it is not the desired mechanism for either a modern witch or a neopagan. Also, the modern practitioner does not have the deep internal connections nor the ability to transcend the petty ego that the Shaman obtains through his many near-death transitions and personal transformations. The modern practitioner, is, well, modern, and easily succumbs to the mediocrity of a bourgeois existence.

This is not to say that all individuals who channel Deity within Wicca or Neopaganism are aberrant, but without the preparations and testing, who can really judge what they are experiencing? This is a major issue within these new religions, but one that can be prevented with careful practices and safeguards. However, without these preparations and evaluations, many can be led astray or even experience the danger of spiritual hazards. This danger is present to both the adherents of the coven or grove and the clergy who are in charge. While I can’t speak to what goes on in most Neopagan organizations, I can speak with experience in the area of B.T.W. (British Traditional Witchcraft). I also believe that anyone who practices a form of Godhead assumption within their magickal tradition is liable to this kind of risk. They should use every precaution against the performance of an ill prepared and unmonitored assumption.

In most forms of modern witchcraft that meld magick and earth-based spirituality, there is usually a greater emphasis on spirituality, but the means to that spirituality is a praxis that is somewhat magically based. This is the magickal act of Godhead assumption. In many cases, the manifestation of Deity does not go very deep. This is because Witchcraft as a religion is so very new. It has not begun to really plumb the depths of the inner deep structures, and it has not developed a methodology of enlightenment and at-one-ment with the Deity. In fact the concept of Deity is still being developed and evolving, and perhaps in a few decades or a century, it will have the depth and the methodology to deal with the basic theological questions of life, death, humanity and the nature of deity. Certainly, as one of the new religions, Wicca has the potential to unlock mysteries and answer questions that have not been satisfied since late antiquity.

Since the coven structure in the B.T.W. branch of Witchcraft is a place where one begins the training and the progression from dedicant to first degree and beyond, it is presided over by senior individuals who have taken the role of the High Priestess and High Priest. For the benefit of the other less experienced members, they channel the Goddess and the God and lead the others in the practice of folk magick and folk religion. They are the trainers and mentors, performing the tasks of clergy until the members become themselves experienced enough to be elevated to the clergy and hive off to form their own covens. In such a process, the coven is almost always a training ground for potential future clergy, and in some branches it is not a requirement for anyone to be elevated beyond the first degree. In many branches of the BTW, elevation does not occur unless the individual seeks it and desires to lead their own group, otherwise the coven can be perpetually in a state of being led by the same High Priestess and High Priest.

When a woman or a man finds themselves in the role of a spiritual leader in a small intimate group of adults, such as a Wiccan coven, and the rest of the members are not as experienced or knowledgeable, then this condition can lead to a situation where there are no checks or balances against potential tyrannical leadership and personal exploitation. Since the coven members are being served by the High Priestess and High Priest, there is a tendency to accept the group practices and experiences without question as a form of orthodoxy in order to maintain the status quo. This tendency gives license to all sorts of peculiar beliefs and practices, even ones that are very unethical or illegal, and it can set up some strange pseudo family dynamics, which can become quite unhealthy.

Dominance and submission, exploitation and victimization, such relationships are demeaning and degrading. They can be blatantly practiced for all to see or masqueraded behind the uncontrolled excesses of the assumed Deity. When they are masqueraded by an assumption of the Godhead, then the members of the group are put in the terrible situation of either accepting what is occurring without question, or by questioning it, finding themselves in the spiritual dilemma of becoming a skeptic or even an agnostic rejectionist of their own religion.

When a person experiences the incursion or brief union with the Deity that occurs during the Drawing Down of the Moon, Sun or Horn God (i.e., Godhead Assumption), and if they assume a regressive hypnotic trance instead of a profoundly humbling and transcendent deep-trance, then instead of channeling Deity in an unbiased manner, they instead greatly inflate their petty ego or the illusory sense of self. This is because instead of having that profound sense of greater other enveloping one that goes with a good Godhead assumption, the medium experiences a personal attachment and over-identification and extension of their mundane self with the imago of the Deity. It makes one feel that instead of merely experiencing the human dimension of the Godhead within oneself (a dimension that we all share equally), a person believes that they are actually the physical incarnation of that Godhead. This causes one to either temporarily or even permanently exhibit a Godhead intoxication, in other words, they experience a regressive God complex instead of experiencing the transcendental transformation of the Deity.

Godhead intoxication has been jokingly called the High Priestess or High Priest syndrome amongst craft folk, but it’s no joke. In this state of illusory self-importance the medium of the Godhead acts as the worst sort of autocrat. Such a state allows for the mistreatment of lesser initiates, inflexibility, exploitation and other forms of abuse. Such a state acts on the personality like a drug addiction, and the High Priestess or High Priest thus afflicted will hungrily seek its continuance and amplification, which requires a continuing availability of blind and willing seekers. It’s like a kind of vampirism, where the bad coven leader leaches off of the members like some bloated tick.

When a leader or leaders in a group succumb to this kind of fall, it creates the classic experience of the “coven from hell.” This is why learning to understand the self and deity and to know the proper way to assume the godhead is important in the practice of Witchcraft and other forms of Neopagan ritual magick. Certainly a test and an evaluation of the Godhead assumption would curb the excesses of this phenomenon, as would a proper period of preparation and devotion to that Deity.

One way out of this problem is to encourage everyone in the group to achieve higher degrees, whether or not they intend to become clergy and run their own covens. Another way is to rotate responsibilities, so that as members become initiated and elevated, they assume more responsibilities in the coven, and eventually, the High Priestess and the High Priest become less important roles as the coven group begins to formulate together a higher and more evolved magickal and spiritual methodology.

Such a group then makes the next evolutionary transition and becomes a non-hierarchical “star” group, where each individual is an equal and important facet, and no one facet is more important than another. Such a group is ruled by consensus. Then their purpose for practicing together is to assist each other in achieving a greater and fuller union with the Deity, through magick, initiatory transformation and through spiritual service. The ultimate goal of magick is perfect union with the Godhead, and this non-dual state requires a complete redefinition of the self and its components.

So, as I see it, the problems of the “coven from hell” is that they as a group never achieved their true potential because those who were in charge did not allow for growth and the transition of authority and roles from the clergy (High Priestess and High Priest) to the members. I think that such a transition is necessary if the coven is to become a magickal star group. But very few B.T.W. witch covens practice their craft and spirituality in this manner. So often, like a family, members have to leave to continue their growth and the leave-taking is often not very welcome or happy events as they should be. This is why some individuals who started out their magickal path in covens prefer to work alone or in very informal groups, since they have no need to be confined again in the formal setting of a traditional coven. They may also have experienced autocratic leaders and saw their group become corrupted and perhaps even fall apart. Autonomy is a very important stage in the development of an initiate, and unfortunately, it is also a quality most absent from many Wiccan covens and Neopagan groves.

As you can see from what I have written above, ego is not the problem, but ego-inflation is, and a good peer review and the usual checks and balances will ensure that ego-inflation is discovered and remedied. However, if the leader or leaders of a grove or coven do not tolerate any kind of critique or checks on their authority and power, then members should vote with their feet and leave that group as soon as possible. Even a so-called benign dictatorship can quickly turn into the terrible abuse of power and authority, and in the intimate settings of a coven or grove, the end result can be devastating. What I am stating here is the worst possible outcome, and I am not in any way judging all Wiccan and Neopagan groups as having these issues with their appointed leaders.

However, without the proper preparations, testing and evaluation of the Godhead assumption, all leaders are susceptible to the temptation of empowering themselves at the expense of the group, and going awry in the channeling of Deity. Let us then examine what I think constitutes the proper preparations for Godhead assumption, the methods for testing the occurrence of Deity acting through the medium, and the techniques for evaluating the magickal event itself.

A really proficient High Priestess, High Priest or Grove Leader should allow for a critical examination of Godhead channeling and be able to withstand this scrutiny without any fear or apprehension. Not every Godhead assumption is going to be given the highest marks, and even the most advanced priest/ess will occasionally miss his/her mark, and produce a less than stellar assumption experience. Also, the members of the coven or grove should be given the tools and the authority to perform these tests and evaluations. Students should be trained not only in the discipline of the proper preparation for Godhead assumption, but also in the techniques for evaluating such an event.

In my opinion, the most important technique that a group or even an individual should adopt for Godhead assumption is to have a defined aspect of Deity to emulate. What this means is that the medium must develop a concept of Deity that has a name, characteristics, virtues, powers and other qualities that can be identified by others. The imago of the Deity should be something that is built up and known to all. So when the medium prepares for a Godhead assumption, she is targeting a specific known entity. Working with a known entity avoids the situation of an open ended Godhead assumption with no real target, just a nebulous Deity at Large. Open ended Godhead assumptions are quite harmful, easily allowing the personality of the medium to become the operational vehicle of the assumed Deity. Also, an open ended assumption does not lend itself to being tested, since no else will have a clue as to whom they are addressing. Open ended assumptions invite abuses, are difficult if not impossible to verify or control, and too easily allow for the inflation of the medium’s ego, since it may be just a fragment of the medium’s personality and not a bonafide manifestation of the Deity.


Best Practices for Godhead Assumption

The coven or grove works from an established imago of Deity, they also act as the moderators or controllers for its manifestation. Considering the fact that a medium is not always in complete control of her faculties when channeling a Deity, then it is the responsibility for the group to manage, control and organize the event for the medium. It is also not a good idea to mix the role of group leader and medium unless it is unavoidable. If the leader is to perform the Godhead assumption, then others in the group must assume command and control of the ritual working, since the one who is the medium can’t be expected to perform that role and also run the group. The preparations for a proper Godhead assumption preclude the capability of the medium also managing the ritual working at the same time. If such a thing is common in a group and its activities, then either the trance state achieved by the group leader is insufficient (or regressive) to channel the Deity at the optimal level, or there is a certain degree of fraud or self delusion being perpetrated. When we look at the preparation steps that are necessary for assumption, this will become very apparent.

The preparatory steps performed for a Godhead assumption consist of the following operations.

  • The group must set the controls for the working, and these consist of determining the Deity’s name and creating the imago. This target Deity and its imago should be a recognizable entity that is familiar to all of the participants, not just to the medium or the hierarchy of the group.
  • The ritual working in which the assumption is to be performed should have a specific set goal or purpose, and the group should determine this goal without the knowledge of the medium, to add a test or challenge to the manifestation of the Deity.
  • The group should also have shared the knowledge and techniques of judging the manifestation of Deity so that everyone knows what they need to be looking for when it occurs.

With these controls in place, the elected medium goes to a private place alone and begins the preparations for the assumption of the Godhead. These preparations consist of an extended meditation session that may last for up to an hour’s time, where the medium immerses herself in contemplated devotions to the Deity, perhaps even quietly performing a pre-invocation. The medium focuses on the imago of the Deity and seeks to become completely and deeply connected to that entity, feeling it around and even within her. It would also be helpful if the medium would have practiced this meditation session on other occasions before the working, becoming very familiar with the Deity, performing rites of devotion, communion, invocation and even partial assumptions as well. (A good reference article for obtaining and acquiring the correct mind set for a profound Godhead assumption can be found in Crowley’s “Liber Astarte vel Berylii”, which can be found here.)

Once the preliminary meditation session is completed, the medium, now deeply immersed in the spirit of the Deity, rejoins the group, who have already consecrated the temple or grove. The medium does not need to perform any ritual or liturgical activities that would distract her from the main operation, which is the Godhead assumption. If this is not possible (the participants are too inexperienced), then the medium should perform the ritual activities of the working with a minimal focus on her part so as not to break the focus on the Deity. However, it is better if the medium is relieved of all tasks associated with ritual performance.

In the situation where the magician is performing this rite alone as part of a Godhead assumption to perform ritual magick, then that assumption is not the true goal of the operation and it can be performed as an ancillary rite with only a minimal manifestation of the Deity required. The difference is that a group working whose objective is to manifest the Deity through a medium surrogate has to ensure that the level of manifestation is high in order to validate what occurs during that operation.

The crucial part of the Godhead assumption is the testing that is performed after the Deity apparently manifests. Participants may question the Deity in several manners, but there are basically three questions that should be asked. If the manifested Deity does not respond adequately to these three questions and the entity does not seem to be responding in a manner congruent with the imago, then the participants should perform a license to depart and end the Godhead assumption rite, whether the medium is willing or not. This test is used to protect the group and the medium against unwanted manifestations and makes certain that only the intended targeted Deity manifests. The three questions are:

1. “Who are you?” - The Deity must identify itself. This makes certain that the assumption is not open ended, and that the intended target has at least been nominally realized.

2. “Teach us about your yourself (What are your qualities?).” - The Deity must have recognizable qualities that conform to the imago.

3. “What do you wish to impart to us tonight?” - The Deity must have a limited objective, this also precludes an open ended assumption. In many cases, the objective or purpose are decided beforehand by the group without the knowledge of the medium, adding a level of omniscience to the test. If the Deity exactly states the objective, then the participants can be certain that the level of manifestation  is high.

If the Deity responds appropriately to these three questions, then the participants can proceed with their work, which is the administrating of blessings, divine insight or prophecy, and the communion meal of food and drink. Other types of workings can also be deployed, such as seeking greater knowledge on a topic particular to the Deity or reinforcing a specific kind of working, such as a healing, special divination, rectifying injustice, or other kinds of divinely sanctioned favors.

When the work is completed, then the license to depart is given. The Deity is called by name, thanked for its help and assistance, and gently but firmly urged to depart, returning to its eternal source and place of origin. The medium is then assisted to ground out all of the affects of the assumption and given something mundane to eat and drink. Rubbing the extremities helps, and so does walking around and getting reconnected with reality. The higher the manifestation of Deity, the more time and effort it takes to return to normal. Yet the medium does return to normal. In some rare instances, a medium who fails to return to normal consciousness should be judged as having failed the test for a proper assumption, since neither obsession or possession are part of that process.

After the working is over and the medium has returned to normal consciousness, the group should briefly meet to discuss the assumption rite, give their perceptions about the experience, hear the perceptions and opinions of the medium and then grade the experience. The simplest way to grade the assumption is to use a numeric range from 1 to 10, where 10 is the ultimate experience, and 1 is a barely perceptible manifestation. I will give examples of each numeric level to assist in determining the quality of the manifestation of the Deity.

Level 1. The medium is barely able to perceive or project the manifestation of the Deity. There is no presence of other, and no other type of phenomena is observed. The medium will pass the first question, but do poorly on the second and not be able to pass the third question at all. The medium might have problems maintaining the proper trance state, may go in and out of trance, or may show signs of a regressive trance, such as having fits, rolling the eyes, showing the whites of the eyes, drooling saliva, convulsing, etc. These might be sort of impressive in a disgusting kind of way, but they show a lack of focus, centering and an inability to gain the proper transcendental state. The medium also seems to enter into trance too quickly and easily, and then drops out of it without the need for grounding. Also, what is communicated by the Deity is obviously based on opinions and knowledge that the medium already has, and is not represented by any kind of omniscience.

Level 2. The medium maintains the trance state throughout the manifestation of the Deity, and gets two out of three questions correct. There is a little sense of the other in the manifestation, but otherwise it is pretty normal and not very exceptional. What is communicated is also pretty mundane, but the medium maintains control and establishes an adequate connection to the Deity.

Level 3. The medium not only maintains the trance state but shows a great deal of self control. Additionally, a  sense of the other is starting to be perceived by the participants. There may also be the beginning affects of psychic phenomena sensed by the participants, but the medium still gets only two out of three questions correct. This is the usual level experienced in a Godhead assumption rite, using a medium of adequate training and experience.

Level 4. The medium starts to exude a stronger sense of the other, and the Deity seems to be more present than the personality of the medium. More phenomena is experienced peripherally to the assumption rite, but it is still subtle. There seems to be something or someone barely perceptible that is present besides the medium and the participants, although it may not be perceived as coming directly from the medium.

Level 5. The participants begin to strongly sense the presence of the Deity, even though the personality of the medium has not altogether disappeared. Phenomena is more observable, and is now obviously emanating from the medium. The entity, although present, still does not get all three questions correct. However, the insights presented by the Deity and the blessings bestowed are very thoughtful and relevant.

Level 6 through Level 8. Variations of the intensity of the presence of the Deity vs. the observable personality of the medium, which begins to recede until it does not appear to either interpret or flavor the manifestation of the Deity. At level 7, all three questions are answered correctly, and at level 8, there seems to be an obvious numinousness emanating from the medium. All works performed by the Deity at this level seem to be charmed, empowered, and profoundly significant.

Level 9. The personality and even the facial or bodily characteristics of the medium disappear and are replaced with those of the imago of the Deity. There are obvious occurrences of psychic phenomena, disembodied voices, celestial music or tones heard, unaccountable feelings of joy, bliss and happiness. The personality exhibited by the medium is completely immersed in the imago of the Deity, and nothing of the medium’s own personality seems to be active. Blessings and prophetic insights that are dispensed by the Deity at this level are deeply meaningful, profound, and far reaching.

Level 10. The medium can speak without moving her lips - a voice seems to emanate from the mouth, which may or may not even be open. The medium has completely transformed, however briefly, into the imago of the Deity, and any physical contact with it seems to convey a sense of profound inspiration and even rapture. Any working or application of the Deity’s powers at this level produces results that are inexplicable and wholly outside of the realm of possibility (miracles).     

As you can see, the average level of the manifestation of a Godhead assumption is a 3, so that means that the higher levels are more extraordinary and unusual. A level 9 or 10 manifestation is probably beyond the realm of possibility for most mediums, and a level 7 would be so significant as to be sensational to those who experienced it. So with that in mind, as long as the assumption does not exhibit signs of being at a level 1 regressive trance, then the participants and the medium can judge their encounter with the manifestation of Deity with a certain degree of cautious certainty. The higher the level, then the greater the significance and impact of the experience.

When the medium and the participants have discussed, evaluated and judged the manifestation of the Deity, they should journal the results, making certain that they take the average of all opinions to arrive at a numeric level that represents the consensus of the group. It will noted that the journal will show over time that the mediumistic skills of the members of the group will grow and the significance of the insights and blessings will also become greater, providing yet another source for occult lore and the accumulation of spiritual wisdom. By using the methods of rigorous preparation, testing and evaluating the results, the group will avoid the excesses and hazards of performing open ended assumptions, maintaining a level of objectivity so important in the practice of sane occultism. Such a regimen will also avoid the pitfalls of ego inflation and the abuses of power that it promotes

Frater Barrabbas

Thursday, July 1, 2010

Tarot as the Greatest of the Old Grimoires



 (You can purchase this special blank book and others like it here.)

Here I am, standing before a solemn and somewhat nerdy crowd of practicing magicians, seeking to opine on the secrets and mysteries of the art of invocation and evocation. It’s a tough crowd to please, you can be sure of that. So many sophisticated and erudite thinkers, all with their own powerful opinions and over-sized egos. Of course, they are not alone in this affliction, for I am supposedly afflicted in a similar manner. I begin with the usual clearing of my throat that gets my listeners’ attention, then I proceed with my talk.

In our present time of the post-modern era, the fad of using and incorporating grimoires from the middle ages and the renaissance is supremely popular. It is probably one of the hottest topics around, and numerous newly translated versions of these manuscripts are being published at a rapid pace, revealing previously obscure and unknown arcane grimoires to the adoring eyes of occult afficionados. But this fad has overlooked probably one of the greatest grimoires of all time, a stupendous collection of occult lore and a powerful system of symbology all in one concise work, which I might add, is still very relevant today. What book is that, you ask? Is it some new version of the Greater Key of Solomon, the Lemegeton, the Grimoirum Verum, Agrippa’s Four Books of Occult Philosophy, or perhaps a book that no one has even heard of yet? No, it is the Tarot, also known as the Devil’s Picture Book!

At this point in the discussion I hear the sounds of gasps, startled disagreement, perhaps someone spewing out their coke, looks of disbelief, and outraged and mocking voices, seeming to say in unison - “How the hell can that be? The Tarot is a divination tool, not a grimoire! (You dolt!)” Yet I beg to differ and I have several occultists, including Lon Milo DuQuette and Aleister Crowley (the beast himself) at my back. After everything quiets down to some nearly inaudible grumbling, I continue with my discussion, although the pressure is on me to quickly prove my point - otherwise, I will be left to lecture to no one but myself. So I continue, and this is the basic point of my argument.

In fact, I truly believe that the Tarot is the greatest of all grimoires, since it contains a veritable arsenal of magickal knowledge, symbology, analogies, spiritual hierarchies and the mechanism of transformation itself. Like other grimoires, it doesn’t have everything that is needed to practice ritual or ceremonial magick, but it has all of the source material needed to formulate and build all of the other pieces. The Tarot is the source of all Western occultism as well as the master key of correspondences. I will cover what is lacking in it as well as what is greatly abundant.

If I may quote two of the notables in this field of magick and occultism, then perhaps I may be listened to more openly and attentively. There might also be less of a likelihood of someone throwing a spit ball or two at me while I am speaking.

First -

“The Tarot is, thus, intimately bound up with the purely magical Arts of Invocation and Evocation.” (Book of Thoth - Aleister Crowley, p. 84)

Then -

“The Hebrew Qabalah forms the foundation upon which the Western Hermetic arts (astrology, tarot, geomancy, and the various branches of ceremonial magick) are constructed. The tarot is a visual representation of qabalistic fundamentals and is the common denominator between the various Hermetic arts. One could even say the tarot is the DNA of the Qabbalah. Properly decoded it reveals not only the mysteries of the Qabalah, but also that of all other Qabalah-based systems.” (Tarot of Ceremonial Magick - Lon Milo DuQuette, p. xxiv)

So Aleister Crowley and Lon Milo DuQuette appear to perceive the Tarot as not only a contiguous source of the Qabbalah (as it is practiced and understood today by western occultists), but that it’s also a system of magick in and of itself. DuQuette even titled his book “Tarot of Ceremonial Magick” and there have been others who have linked the two subjects in a very intimate way. DuQuette wrote his book to show a very ceremonial magickal perspective on the Tarot, even putting together a hybrid of the two systems. However, I would go even further and state that they are already intimately related to each other, because the Tarot contains everything that a good source grimoire should contain.

That gets a few nods from some of the members of the group, but others are still waiting for the proof and are reserving their judgement. I may have pulled out a couple of good points, but there are some major flaws to my argument. Those will be brought up with a great deal of fervor, objection and derision unless I can do better than that.

What does a grimoire typically have within its covers? What would you expect to find if you went to all of the trouble and expense to buy one of the more rare, coveted and collectible grimoires that are being sold these days? Well, let’s make a list. In fact, let’s consider the ideal grimoire, the one that we would like to own but doesn’t exist in the real world.

An ideal grimoire would contain rituals and ceremonies, words of barbarous evocation (the infamous “verba ignota”), lists of tools, magick circle designs and various other sorcerous regalia. Lists of spirits and the sigils, characters and devices for conjuring them. A bunch of talismans and amulets for various uses, as well as special prayers and rites for performing the necessary preparatory period of atonement and purification. The book itself would be printed on nice heavy acid-free paper, housing all sorts of cool colorful illustrations, an archaic type face with lots of medieval looking graphics, and a heavy black, blood red leather or even a snake skin cover, with a metal frame and clasps. Maybe there would be the leering face of a demon embossed on the cover or some wicked looking arcane sigil, along with gold leaf sparingly applied to the title. A typical geek sorcerer would pay a week’s IT salary for such a book, maybe even more.

(Note to myself, in case I ever need a windfall of cash, maybe I could produce a really clever forgery of a supposed antique grimoire. It’s been done before! Naw, too much bother for now. But who knows about the future?)

Now that I have listed what an ideal grimoire would look like and might even contain, I can hear the sneering in the background increasing in volume, as some smart ass says “None of that stuff is found in any Tarot deck, so how can it be considered a grimoire?” 

I agree somewhat, the Tarot doesn’t contain any specific spells, incantations, talismans, sigils, characters, barbarous words of evocation or anything like that. However, it does contain other things that are just as important, such as all of the symbology and associated spiritual hierarchies of most systems of magick in the Western Tradition. It contains an active methodology for personal transformation, and it is warded by a powerful angelic or demigod guiding intelligence, who can be accessed to answer any question or pierce any mystery. The Tarot is a living system of magick and mysticism, so it could also function like any other magickal book or manuscript. It may not have everything that is needed to practice ritual or ceremonial magick, but then quite a number of grimoires appear to be incomplete as well, even though in the end, all of the omissions and blanks are assiduously filled in by the determined magician.     

So my point is that the Tarot is a grimoire, plain and simple.  Now lets get down to showing how that is truly a fact and not some hyperbole that I have pulled out of my ass to keep my listeners’ on their toes.


The origins of the Tarot date to the middle of the 14th century, and it has evolved, been mutated and changed over time into the form that we know and take for granted today. The 19th century was a very important time for strategic changes to be made in the Tarot, for that was when occultists (like Levi, Mathers and Papus) linked it forever with the Qabbalah. In the present time, there are a myriad of different Tarot decks in print, and each and everyone of them could represent a kind of magickal grimoire. Let me show you how that would work, but I will use the standard Tarot deck as derived from the Golden Dawn tradition of magick - a version that Crowley himself worked with and upon which he based his Tarot deck and famous work, the Thoth Tarot.

I have said that the Tarot is a magician’s arsenal, and this is what it contains, in pictural form with lots of symbols, images, analogues and designs giving it a power and animation that other occult manuscripts or books might lack.

1. The Four Aces represent the Divine Tetrad of the Four Elements, from these all manifestation proceeds. They can also be seen to represent the four cardinal directions that define the domain or world of the magician, functioning as Watchtowers in some systems of magick (such as my own). Associated with them are a plethora of symbolic attributes, probably representing the first key of correspondences that any budding occultist or magician first attempts to master.

2. The sixteen court cards or dignitaries, as they are sometimes called, because they depict a feudal power structure associated with the four elements, has an entire hierarchy of powers, spirits and domains of the inner planes associated with them. The court cards represent the forces that the magician will wield to acquire that which he or she wills to be in the material plane. Implicit in this system is the Lunation cycle, which consists of eight phases, and which directs the temporal waxing and waning of psychic forces, both collectively and individually. This is an entire system of magick all by itself. One could even tie in the sixteen Enochian Calls or Keys to add even more intensity to a magickal system devoted to the elementals.

3. The thirty-six naib cards of the lesser arcana are also analogous to the astrological decan faces (with their planetary rulers), and the qabbalistic sephiroth of Binah through Malkuth as projected through the four qabbalistic worlds of Atziluth, Briah, Yetzirah and Assiah. Associated with the thirty-six naib cards are various gateways into another matrix of the inner planes, and an entire set of hierarchies of demigods, angelic and demonic entities and another completely distinct system of magick are revealed.

The hierarchy of the decan face and of the naib card of the Tarot has been shown to contain the Egyptian demigod and great hermetic spirit, as well as the angelic ruler of the decanate. Also, the spirits of the ha-Shem who rule the enclosed quinarians of day and night, and their opposites, the goetic demons, by day and night. This host of spirits can be controlled and summoned through the power and rulership of the decan face, which also acts as a gateway to the lesser mysteries of the Tarot. Perhaps this is why I not only have a fondness for the symbolic images of the decan faces, but also for the symbolic analogies depicted in the Tarot designed by A. E. Waite and executed by Pamela Colman Smith, since they appear to show the themes of various lesser mysteries. Somehow either set of images represent for me powerful magickal images that resonate with a talismanic force.

The decan faces are linked to the sixteen elementals, since twelve of the elementals would correspond to the twelve signs of the Zodiac - so these two hierarchies would be interrelated. 

4. If the four Aces are added back to the thirty-six naib cards to produce an array of 40 cards in all, then a new structure is revealed, the forty Qualified Powers. I had introduced this matrix of magickal qualities in the book “Mastering the Art of Ritual Magick - Grimoire” where it was defined as an array consisting of the ten attributes of the Sephiroth projected through the four elements. These forty Qualified Powers represent a matrix of both magickal powers and spiritual intelligences, being therefore, a combination of qabbalistic qualities and the four powers of the elements. The ritual of the Pyramid of Power is described as the rite where this kind of power is generated, and I have found it to be highly adaptable and useful in many magickal applications.

5. Finally, the twenty-two trumps of the major arcana represent two concurrent cycles of transformation - the transcendental initiation of the individual spiritual seeker, and the transformation of the world and the universe at large - the cosmogonic cycle. Arrayed in the form of a greater and lesser cycle of initiation, with the cosmic cycle imbedded within the transformative cycle of initiation as the universal revelatory vision, the magician may use it to not only ascertain his or her own current spiritual disposition, but may deliberately cause this process to be made manifest by one’s will. Thus the twenty-two keys of the major arcana represent the magician’s mastery of personal transformation and spiritual evolution. There are few if any grimoires that can give the individual magician such a powerful tool to be used in whatever manner imagined - its use is nearly unlimited and its affects, most profound.

Over this great array of archetypal symbols, analogies, hierarchy of spirits and magickal powers, and domains of the inner spiritual planes is the presiding genius of the Tarot, called by members of the Golden Dawn and Aleister Crowley, Hru, the great angel set over the living and secret wisdom of the cards. This entity is a very powerful egregore and more, since it is also the guide, guardian and secret initiator of the Hermetic path of magick and mysticism. It is this great spirit that one is directed to seek out all knowledge that is yet unknown, obscure or omitted from that which one knows. Whatever is missing or omitted from the “great grimoire” of the Tarot will be discovered through meditation, divination and an active spiritual and magickal search. We can be certain that all questions will ultimately be answered, and all mysteries revealed through the power and majesty of this being. One need only consult with it in a regular, periodic and consistent fashion. Few grimoires can boast of an active spiritual guide and superior entity who will come to the aid of anyone who takes the book (as the Tarot cards) and simply summons its presence.

So, now we can see that everything that is essential and necessary to the profitable work of magick is to be found in the Tarot. If one were to be bereft of all books and tools, and even a place to work magick, having possession of a Tarot deck would suffice to mastering all of the rest of the occult arts.

To recap, the Tarot contains the following symbolic systems:

10 Sephiroth of the Qabbalah
22 Paths of the Qabbalah (also the Cycle of Transformation and Cosmic Cycle)
12 Signs of the Zodiac
7 Planets
4 Elements (4 qabbalistic worlds)
16 Elementals
36 Decan Faces (Ruler of Decanate, ha-Shem Angels, Goetic Demons)
40 Qualified Powers

All any magician needs to do beyond mastering the Tarot is to build up an array of sigils, talismans, characters, signs, symbols, incantations, and the requisite magickal tools, vestments and regalia. These are found nearly everywhere, but the key to it all is found in the Tarot.

The lecture is over, and no is either dismayed or outraged, instead, there are many thoughtful looks, furrowed brows and the nodding of heads. It appears that I have gained a brief respite from controversy. I know in my heart that it won’t last.

Frater Barrabbas

Saturday, June 26, 2010

Mysteries of the Magick Circle

The latest question and answer article produced some really outstanding comments, showing me just how diverse the practice of ritual and ceremonial magick is out there in the world. There are many ways of doing magick just within the Western Mystery Tradition, so it would seem that the number of personal paths in the world is legion.

I also wanted to thank everyone who participated in the comments and who helped to make that question almost classical in how it was responded to and ultimately, answered.

However, I noticed that my own methodology for working magick is less well understood and known amongst fellow practicing magicians, particularly in the area of establishing sacred space and building a foundation for performing a magickal working. I am referring to my use of a magick circle instead of using the various GD based rituals of the LBRP, LIRP, LIRH, Middle Pillar or Rose Cross. As a practicing witch and neopagan, I have always started out every working erecting and establishing a magick circle, which has certain properties that I generally take for granted.

One of the comments made me realize that if someone were to examine the basic ritual practices used to set a magick circle (which is used by many witches, wiccan and neopagans), they might not understand that a ritual circle begins the process of magick with a completely neutral foundation, warded and defined by the circle and the watchtowers. The invoking pentagrams that are used to set the four wards do not actually generate elemental powers that would interfere in other workings. How is that so? What are the qualities of a magick circle that keeps it completely intact and integral? I had to step back and think about this magickal ritual structure and attempt to explain something that I have practiced for nearly four decades. So now I am writing this short article to explain what is a magick circle, how it’s formed, and why it abrogates other rituals that apparently do the same thing.

First of all, the completed ritual structure of a magick circle should be imagined as ring of power that establishes a boundary point and delimits a focus between the outer world (which is considered profane) and the inner world within the circle that represents the purified place where the magick is to be performed. The invoking pentagrams set to the four wards are used to charge the circle and establish the magickal ring, so they are fully incorporated into that ritual structure and do not bleed their effects into the domain of the magick circle. Why is this so? It’s something that I have been doing for a very long time and I have never experienced any problems with the wards colliding with the magick performed and generated inside the circle. The key to understanding this is to realize that the ring of the magick circle represents the outer periphery of the magick circle. The invoking pentagrams are set to the four directions at the outer edge of the magick circle, and as part of the empowering of the ring, they remain within that area and do not emanate into the center of the circle.

Lets quickly go over how a magick circle is set and sacred space is generated, so we can see the stages where the circle is defined and check my theories. While this rite will vary a bit from the various traditions of witchcraft who use them, the basic structure always has the following components.

1. Self preparation and purification - bath, vesting, magickal persona assumption and meditation session. Then the temple is prepared - generally by some light organizing, cleaning and then lighting the candles or lamps of the art and the charcoal. The four cardinal directions are marked with candles of their own, and in my case, the four cross-quarters are also marked with candles. I prefer to use oil lamps, and the various eight points of the circle have their own small mini alters or tables to hold the lamps and any other identifying images (banners, trigon talismans, etc.).

2. Circle and temple purification by the sacraments of the four elements. The first step is to generate the lustral water, which is salt and water combined. The salt is charged and the water is blessed and they are combined in a special chalice. This is done using the consecrated dagger and the chalice as representations of the sacral joining of the archetypal male and female - the dagger is drawn down point first into the chalice of water or the patten of salt so that it touches them. The combining of water and salt is called the comixio, which combines the elements of earth and water. The lustral water is then sprinkled around the temple area, proceeding in a deosil arc, starting and ending in the East. Because the lustral water is considered a sacrament, then the area where it is aspurged is thought of as being made sacred.

Then the next elements are used to continue the blessing of the sacred space. The incense is put on the burning coals in the thurible or censer and it is taken around the circle deosil, from East to East, to dispense the incense smoke fully within the temple area. I also use a small lamp to focus the element of Fire to the four quarters in the same manner, but some might consider the lit charcoal and incense to be the combination of fire and air. Once this is done, then the celebrant has purified and blessed the temple area with the four elements.

3. Once the temple area is so blessed and purified (made into sacred space), the celebrant then draws the magick circle, using the sword, projecting a powerful line of force from the sword to the outer periphery of the magick circle - making a ring of power. The celebrant starts in the East and proceeds deosil around the circle until he or she returns to the East.

4. Finally, the celebrant takes the magick dagger and proceeds to the East, and therein draws the invoking pentagram of Air and invokes the spirit of the Eastern Watchtower, which could be one of the four winds, elemental creatures, archangels, Enochian Kings, totem animals, or whatever is prime in the working tradition of the witch or pagan. This act is repeated at each point of the circle, East (Air), South (Fire), West (Water) and North (Air), until the Watchtowers are fully deployed and charged with the invoking pentagrams of the four Elements. There are many variations to the attribution of element to cardinal direction, but as long as they represent a consistent structure, they successfully empower the magickal ring and keep it intact and fully active. I actually use several variations, depending on whether the circle is to have an overall theme of natural elements, alchemical polarization or astrological configuration.

In addition to the above four steps, the celebrant can also draw the four Watchtowers together to form a square within the circle, thus adding to its empowerment. The three center points can be addressed and qualified as well as the four cross-cardinal points. A gateway can be established within the circle, representing additional components that the celebrant may add to make the magick circle more versatile and refined in its use. All of these additional components do not in any way change the basic qualities of the magick circle. It’s still a ring of power acting as a boundary between sacred and profane space. 

The boundary of the magick circle is actually porous, which means that individuals and even spirits can pass through it, either entering or exiting, while the four wards protect the area within from any unwanted or uncalled individuals or spirits, barring them from entering the circle. The purpose of the magick circle is keep the powers and forces that are generated or summoned within the circle, thus helping to focus and intensify them. When individuals need to leave the magick circle, they may do so by making a gesture of opening and closing the boundary to allow themselves to pass through, thereby keeping the ritual structure intact.

Another strange quality of the magick circle that I have discovered is that once it is set, both time and space are perceptually altered to a profound degree. I believe and act as if the time within the magick circle is frozen at the moment that it is successfully cast. This means that planetary hours and astrological aspects are locked at the moment of the genesis of the circle. If I wish to perform a given rite during a specific planetary hour or when a specific astrological aspect is active, all I need to do is the set the magick circle, and then have unlimited time to work within that hour or aspect. I believe that this phenomenon is valid because of all of the time displacement and dilation phenomena that I have experienced when working magick in a magick circle. Without the circle, such phenomena does not seem to occur as powerfully or as often. A magick circle seems to give a ritual working a kind of potent isolation from the temporal world, opening it instead to the whole of the domain of the world of Spirit.

Anyway, these are my perceptions and ideas about the ritual structure of the magick circle and its localized ring of power. In sharing this lore with you, I am hoping to relate not only how I work magick, but also the mechanics of using this methodology, and how it affects everything else I do when performing ritual magick.

Frater Barrabbas

Thursday, June 24, 2010

Importance of the LBRP to Ritual Magicians?

“One more...Its been suggested by Nick Farrel that the LBRP is overused and the LIRP is preferred. he says, essentially that the LBRP cleans too well and defeats the purpose of any personal work you do. I feel the LBRP seals in the work. Thoughts?” asked by DeusLux

I got this question just today. The questioner had sent an earlier question that was frankly out of my league, since it was a very technical question about Enochian Magick, which is not a subject that I consider myself an expert. I have sent off that first question to a couple of experts, so we’ll see if they respond, otherwise I will have to demure on that question.

Anyway, the question is about the use of the LBRP, or the Lesser Banishing Ritual of the Pentagram. First off, I don’t even use this ritual, or its companion, the LIRP (Lesser Invoking Ritual of the Pentagram), and haven’t for a few decades. Why is that? Because as a witch, I incorporate a magick circle into every magickal working that I do within a temple. If I consecrate, set and charge a magick circle with the four wards covering the four cardinal directions, that would seem to do pretty much the same thing that the combination of the LBRP and LIRP would do. Not only that, but in some of the circle consecration rites that I use, the circle also gets squared, and the wards are always set with invoking pentagrams of the four elements. Typically, when a ritual working is completed, then the results of the working are banished by doing what is basically a reverse circle setting, particularly drawing banishing element pentagrams to the four wards. So that pretty much covers why I don’t use the LBRP or LIRP. They are redundant and it might also undo what the circle consecration rite is supposed to do.

Then there is the matter of managing a vortex energy structure, which is used extensively and often in nearly all of my workings. A vortex can’t be banished, only overlaid, so the LBRP is essentially completely useless when a vortex is deployed. A vortex is erected or unsealed when it needs to be used, and then sealed when it is no longer needed - no banishing is ever performed.

Remember that a ritual magician performs magick using the methodology of immersion. A magick circle is integral to establishing an enclosed focus where the power is raised and spirits are invoked. There is no barrier between the ritual magician and whatever is generated or invoked in a ritual working. How the ritual magician insulates herself from any backlash, contagion or a bleeding link is that she has assumed her personal godhead as part of the preparation of the working. As a representative of the Godhead, she is completely protected, since the powers or linkages would have to travel far up the levels of conscious being to affect her. It is more likely that such energies or occurrences will just find a common ground and harmlessly dissipate rather than harm the magician. The godhead assumption also insulates the ritual magician from all spiritual invocations, whether theurgic or evocative. 

A Golden Dawn magician does not work within a magick circle unless a goetic evocation is going to be performed, otherwise, either a temple space or even one’s living space will suffice for the kind of work that such a magician would wrought. So the LBRP and the LIRP become quite important in such a working where there is no magick circle or any kind of circle consecration rite is performed. The LBRP is performed to clear the area of any unwanted energies or spirits, and the LIRP establishes a connection to the spiritual domain, allowing other magickal rites to be performed. You can find my articles on both the Golden Dawn and the techniques that I use in earlier articles on this blog. Just look at the index keywords to the left of the blog entry text.

David Griffin, in his wonderful book “The Ritual Magic Manual: A Complete Course in Practical Magic,” (1999 Golden Dawn Publishing) does indeed assume that the LBRP will erase everything, so he assiduously wraps up all his tools, sigils and talismans before performing it. He also does use the LIRP pretty much as I have described it. I would recommend his perspective if you choose to use the Golden Dawn system instead of a more Wiccan or Neopagan based system, such as what I use. David has shown himself to be a rigorous and consummate magickal practitioner.

Hope that answers your question?

Frater Barrabbas



Ask me about ritual magick

 

Wednesday, June 23, 2010

Ask Me A Question About Ritual Magick

OK, looks like this feature is making the rounds of the blogosphere, so I thought that I would check it out and see if it’s something that might make my blog more personable. So far I have chosen the topics and have written extensively on them. However, if you have any topics that you would like to read about that is within my subject purview, I will attempt to write something intelligent and novel about it. Also, if you have any questions that you would like me to respond to on the blog, feel free to send me that question through formspring dot me.

Now remember, I don’t know everything there is to know about magick, nor have I experienced everything there is to experience in magick, either. I know some things and I have had a long lifetime of experiences, but certainly there is a limit to knowing and experiencing if one has only one life to live. I will attempt to answer your questions or opine on a topic of your choice, but if I don’t know anything about a topic or a question, I will let you know that, too.

Anyway, you can activate the link at the bottom of this article or you can ask a question on the appropriate sidebar widget. I look forward to hearing from you.

Frater Barrabbas



Ask me about ritual magick

Tuesday, June 22, 2010

Epilogue - Analysis of Lisiewski’s Book

Now that we have examined the main premises in Joseph Lisiewski’s book, Ceremonial Magic and the Power of Evocation, I can conclude with a final overall analysis of his system of theurgy and evocation. I have found incredible flaws in all of the basic premises and theories of this system, as well as what appears to be a deliberate trap for the earnest student who would attempt to use Joseph’s methodologies. Thus, I can’t in good conscience recommend this book to anyone who aspires to perform evocation. Seldom have I ever been so harsh in a book review to say that a book is not worth purchasing or being read by anyone, but that is pretty much how I judge this work. The only positive thing that I can say is caveat emptor, let the buyer beware.

The rest of the book consists of a commentary on the grimoire called the Heptameron  supposedly written by Peter de Abano (early 14th century?), which Joseph declares is the oldest grimoire that we possess, and of course, recent scholarship has proven this to be correct. However, there are probably many versions of this grimoire found in library collections, and it would appear that the version that Joseph is using was probably taken from Agrippa’s Fourth Book of Occult Philosophy. We are given this English translation with no recourse to the original text, no documentation indicting where it came from, and we are forced to take it as representing an original version of an uncorrupted source of lore. We have already gone over the problems with this theory, but we are expected to take on faith that this is a “pure” source.  There are, in fact, earlier sources of magickal lore, but the Heptameron was the first European grimoire, to be followed by the infamous Greater Key, Lemegeton, and others. I would not rate the Heptameron as one of my favorites, but it has its own unique charms and features and is certainly not to be discarded. In my opinion, the classical grimoires are the obvious Solomonic grimoires, such as the Greater and Lesser Keys. Why Joseph chose this grimoire over the Greater and Lesser Key of Solomon is a mystery. It may be that he thinks that the Solomonic Keys have succumbed to the rot and corruption that he accuses other later grimoires and books of possessing.

As a final note and to summarize my commentary on Joseph’s book, I find his evocation methodology implausible and quite improbable. This judgement is not only mine, but also comes from several individuals with as much background and experience as Joseph himself, although none of us were personal friends of Israel Regardie. Not only does Joseph declare that his method is the only one that works, it is the only one that produces full materializations as well. However, since his requirements for success are so steep, it is doubtful that anyone will ever be able to prove his methods as being either true or false, since failure requires a period of at least a month for the practitioner to regroup and start over again.

There is an inherent trap for those foolish enough to perform his method with anything but perfection, whether it be the tools of the art, the regalia, the lamen, magickal wards, ritual performance, personal beliefs, or the vague notion of the subjective synthesis. If the rite fails, it is the fault of the operator, not the system itself. If the rite succeeds, then a small miracle or a profound hallucination has occurred, either way, it proves nothing other than the fact that magick conforms to our expectations. Yet even magick has its limits.

It’s quite obvious to me that Joseph Lisiewski represents the worst of existential magicians, a closet atheist pretending to be a pious monotheist. He appears to be only interested in material gain and self aggrandizement, which is hardly the great man or magus that he believes himself to be. Joseph is hardly a news worthy individual (I had not heard of him until this book was published) and he has not changed the world with his magickal ability. For instance, he doesn’t get invited to the White House for dinner and consultations nor appear on cable news stations. He has not become famous in all the forty years of an astonishingly miraculous magickal practice, so we must assume that he is just another small time magician scraping a living from the world just like the rest of us. His only claim to fame is in the pages of his book, where his ideas may be examined and either lauded or rejected by magicians who represent his true peer group. This book is hardly a breakthrough in the practice of magick, so one is duly warned to objectively and critically examine its methods and ideology thoroughly before seeking to emulate it. There are, of course, better methods and systems available to the general public, especially ones that do not contain hidden traps.

In Zen Buddhism, the student is taught that there are many mental traps and illusions that can cause him to lose his true objective, which is satori. These illusions and mental traps represent the various phenomena associated with the experience of higher forms of consciousness. Such illusions are psychic in nature, so the student may see lights, hear sounds, even perceive complete visions and illusions that seem to be solid and real, but in reality, they are the extraneous phenomena that a student will experience when progressing on the path to the elevated and exalted states of being. These mental traps are all of the nature of an inflation of the petty ego, thus whenever any thoughts arise about one’s self importance or how great are one’s achievements, the student is told to ignore these thoughts and urges and continue with the work. Likewise, a student is taught to ignore the illusions and visions that appear as well. All of these phenomena are natural occurrences, but they signify nothing in the long term, and if pursued, they will lead the student astray and keep one from realizing the true goal.

I believe that the student of magick faces the same type of mental traps and illusions. Certainly, focusing on producing physical phenomena would be one trap as well as believing that one is exclusively God, or any variation of that delusion that enormously inflates the petty ego. If the objective of magick is to obtain divine union and then to act as a conduit of the Deity and its divine plan for this world, one must not allow petty biases, prejudices or ego infatuation to interfere with one’s objective. Divergent paths lead one astray. Being led astray means that you are no longer a member of those seekers who are achieving a true spiritual and magickal mastery.

Therefore, it’s obvious to me that Joseph has diverged from his true magickal path, since he has succumbed to the plight of spiritual materialism and has lost any perspective on his true spiritual and magickal path. He has become what we magicians call, a “phenomena junky” and it is a type of divergent pursuit that is as addictive as any opiate. I, however, will not follow his example, but will examine his declarations and realize his mistake, and then, by avoiding that error, profit from it. Such is the value of Joseph’s book to the community of practicing magicians.

Frater Barrabbas

Lisiewski’s Ten Axioms of Evocation

Now that we have looked at the basic premises that Joseph Lisiewski has made in his book, Ceremonial Magic and the Power of Evocation, we come to the actual meat of his methodology, placed in ten axioms of magickal evocation. These are the tenets that Joseph has laid down in his book that represent how a magician should go about using the one of the old grimoires, since what he is proposing is that the old grimoire is the final authority in all things, and that the magician should follow what it says in the most literal manner. I believe that these ten axioms contain some really erroneous ideas, that if practiced, will certainly lead the magician to a kind of cycle of failure that will take months if not years to uncover. I have also found the silver bullet hidden in the book that demonstrates how Joseph might be able to get the degree of success that he declares, and why many other magicians would fail to replicate that success. Of course this is assuming that Joseph has been truthful about his own magickal abilities and experiences.

After a rather tiresome and opinionated magickal history lesson, Joseph gets to the real issues of the book, which are his ten axioms for the successful practice of evocation. By successful, he states that only a full materialization of the spirit is acceptable, anything else must be rejected, and in fact, is indicative of failure. I have examined these axioms and have found that several of them are so objectionable, biased and even ludicrous, that I must present them below with my comments. If his axioms are highly questionable, then the manner in which he works magick must also be questionable. The complete set of axioms, taken together, would seem to sink the aspirations of even the most patient and zealous practitioner of theurgy or evocation, and what we are left with is to ponder whether Joseph has proposed a system that works only for him, if it works at all.

Maybe he is able to produce physical materialization of spirits using the old grimoires, but with his scientific credentials, one wonders why he has not produced evidence of his claims. We would expect, perhaps, something like tangible evidence being produced, such as verifiable photographic or video images, energy measurements, infrared images, etc. Instead, he just gives us his word that his methods work while all others, especially those not based on the old grimoires, are fatally flawed and don’t work. After reading through all ten of these rules, pronounced in such a pretentious manner that they may as well be carved in granite, one either feels greatly insulted or incredibly stupid. I have to admit that I felt mostly insulted, somewhat appalled, and also in awe that someone could be so opinionated and narrow minded in regards to the modern practice of magick. Well, we shall now proceed on to the Ten Axioms, or should I say, the Ten Commandments of Evocation.

Before getting into his diatribe of the ten axioms, Joseph lays down the foundation for how he feels the magician should proceed with his magickal work. First off, he says that the magician should perform the evocation as it was designed to be performed by the ancient magicians, expecting success while thriving on the mentally and emotionally harrowing experience. This presupposes that the magician is able to get into the mental space of a late medieval cleric or early renaissance savant, and I have already discussed previously how absurd that is. Joseph goes on to say that the magician should design, perfect and polish the only type of magickal system that will work consistently - the one the magician creates himself. I would agree with this statement, but add that first the magician must master a tradition and gain through initiation an elevated spiritual perspective. Any type of magickal order will suffice, since it is important to be challenged and measured by other initiates. Joseph does not seem to value any kind of initiation or transformation, and yet transformation is at least one of the reasons for working magick in the first place.

He declares that there are no recipes, no simple magickal book that will enable the magician to achieve all that he seeks to achieve. This, of course, is not really true. There are a few magickal systems in print that deal with the mechanisms of magickal evocation and these techniques do work and can be studied in great detail. The best one that I have found so far, a system that is at least similar to my own, was developed by “Poke” Runion, and I invite you to examine it in greater detail. This statement is quite false, showing that Joseph is quite biased in his pronouncements - he obviously has not really researched these various claims, and instead seems satisfied to air his opinions, even if they are dead wrong.

Golden Dawn system, in Joseph’s opinion, is inadequate for performing an evocation because of the flawed and incomplete nature of its lore. I find this statement rather odd, considering that anyone who knows about the Golden Dawn ritual lore would be able to tell you that the highest level of magick that one is able to traditionally perform within this system is talismanic magick. A magician would have to derive something new or expand that lore in order to perform an evocation, and to my mind only Aleister Crowely or David Griffin have actually published rituals to do that. As I have stated previously, the Golden Dawn would have employed some of their own lore along with using one of the old grimoires. This seems to be the case for most practitioners, except a few, such as myself or Poke Runion.

Joseph also compares the old grimoires to “laboratory workbooks” and that the actual “text books” containing the theories and underpinning interpretations are missing and haven’t turned up yet. My theory is that the old grimoires were repositories of various occult lore, including instructions for performing the magick, but did not represent a living system, since they didn’t contain the most essential parts of a magickal practice, which is the spiritual and magickal discipline and their associated exercises. Certainly, if any of this information was committed to writing, it would have survived and be available for historical examination today. One can also assume that much of this information would have been part of the religious culture of the renaissance, and would not have required any documentation, because it would have been common to everyone.

Oddly, Agrippa’s three volumes on Occult Philosophy comes pretty close to representing such a text book, but it omits any instructions for actually practicing magick (this was taken up in the fourth book, which included the Heptameron), but Joseph seems to have omitted mentioning this fact. However, if one considers Agrippa’s book and the old grimoires as text book and lab workbook respectively, then there is still a lot of missing material, such as the periodic practices and exercises that would have developed the magician’s spirit, mind and body, and kept him in top form. There might have also been an initiation into the “sorcerer’s guild”, and other mysteries, but I am speculating here. Being a magician or sorcerer in the early renaissance would have involved a lot more than just the practice of magick, there would have been the practice and honing of divination skills, secret ciphers, symbology, herbal lore, celestial lore, folk remedies and practices, and a host of other rites, spells and secret workings involving the mysteries of the magician’s world. On these matters there is only some historical record, and rightly so, since it was probably a secret oral tradition.

Joseph seems to believe that all we have to do is perform the magickal rites exactly as they are written from a chosen grimoire in order to realize a successful working; but even if this were possible (barring any substitutions), it would require that the magician adopt the world view and internal sentiments of that time in order for the magick to be successful. Joseph also seems to say that we must practice the magick of the grimoires faithfully, but then also says, “develop your own system.” He does not indicate anywhere in the book what that personal system would be like and what practices it would contain, other than those found in the old grimoires. He does say that a faithful practice of evocation as written in the old grimoires is enough to develop a spiritual life style, or perhaps he means a spiritual discipline, and that this life style will suffice to drive the magician’s whole magickal enterprise.

I believe he is referring to the long period of religious purification and atonement that the magician must undergo before actually beginning his work in earnest. If so, then this is a case of the “tail wagging the dog.” The magician must first develop a spiritual and magickal discipline as the basis for all magickal and spiritual operations. It is one of the first things that a magician does, well before he would attempt to work any of the higher forms of magick, such as an evocation. When one examines the ordeal in the Book of Abramelin, the methods that are strongly promoted are pious and devotional, based on prayer, atonement, purification and personal abasement. There are no occult practices nor any magickal rituals performed during the entire period of personal consecration and preparation.

What he seems to be advocating is that a magician begins her practice with a grimoire-based magickal working in a state where her spiritual and magickal perspectives and abilities are essentially undeveloped, hoping that the preparation stage of the working will suffice to make her develop a spiritual discipline. This might be a recipe for personal misfortune, since the magician’s intent would not be grounded within her own personal spiritual perspective, i.e., her own godhead, which is a requirement for many magickal systems. Joseph indicates that he has developed a mechanism for connecting to the godhead in his own works, but does not give the reader the means of developing it for herself over time. This is a weak proposition and it is likely that the preparation stage that an old grimoire lays down for the student will not be enough to develop this kind of internal realization, thus setting up the student for failure.

Joseph’s first two axioms are acceptable, but are probably not as important as he makes them out to be. We have already covered the issue regarding mixing occult systems, since it does create inelegant and awkward ritual workings and may cause conflicting symbolism to coexist in the same framework. It is not enough to abort a ritual or make it completely ineffective, but it does make it inefficient. I have found that as a magician gains more expertise, he seems to produce better rituals. However, if his intent is muddled, the ritual will fail regardless of how beautiful it is or how complete. It is also very important for a magician to understand the ritual that he is to perform thoroughly and completely. A magician who performs a ritual without understanding what it does or how it works is asking for unwanted or unpredictable results, or even no results at all.

The third axiom defines Joseph’s essential mechanism for the successful practice of evocative magick, where one can expect a full materialization to occur. He calls this mechanism a “state of Subjective Synthesis,” which is developed by a thorough understanding and acceptance of all of the elements that compose the magickal working. This synthesis descends into the magician’s unconscious mind, along with her integrated belief system, where they fuse together to produce the physical phenomena that form when the product of that magick is projected out into the magician’s mudane world. It is the combination of the will and beliefs of the magician, as they are digested in the unconscious mind, that produces the subjective synthesis, which causes the physical phenomena to occur. Yet any invalid or erroneous element within that synthesis can cause the evocation process to unravel, producing a failure instead of a successful outcome. Joseph says that this mechanism produces a fully formed spiritual manifestation and associated psychic phenomena through a means “as yet unknown by science.”

It would seem that Joseph has created a very vague and nebulous definition for his system of evocation, more or less saying that it is a combination of beliefs and understandings, allied with the magician’s will that will cause all of the magickal phenomena to occur. I find this theory to be rather incomplete, since a human being is not merely the sum of his various parts, and no less is his magick the sum of his beliefs, practices and understanding. Magick works through synergy! There is no synergy, mystery nor even paradox (other than how manifestation actually occurs) operating in Joseph’s system of evocation. Additionally, there is no developed aspect of Self as Deity and there is no domain of Spirit. This leads us to ask; “Where do the spirits come from, and what relationship is played by the interaction of the magician’s essential spirit to his magick?” These questions are strangely unanswered.

In Joseph’s theory there is only the conscious mind of the magician and her profoundly powerful unconscious mind and these two drive the whole magickal process, which, if formulated correctly, will produce a material manifestation. In my opinion, there are more crucial elements involved in magick than just the conscious and unconscious mind. A magician does not work magick in a spiritual vacuum. Even the medieval magician would have understood that all too well, since he sought the assistance of the Almighty and his angels to make his magick work.

I also have a problem with any system of magick that proposes that theurgy or evocation produces a full physical manifestation. Where is the material substance that is suddenly used to generate the body of the spirit? Some have said that the substance comes from the incense smoke, but that is patently absurd. There isn’t enough matter found in incense smoke to produce a tiny pebble, let alone a human sized entity. It would seem that actual physical manifestation may be scientifically impossible, but a magician could perceive spirits as being physical, even if video cameras or energy detectors fail to corroborate them as a definitive physical phenomenon. A magician could sense and perceive things that others who lack the training or methodology would not sense, and this is because the phenomena is too subtle for most to perceive. However, this would violate what Joseph is proposing, since he judges that if the phenomena is subtle and requires special trance states and meditation to perceive it, then the magician is producing nothing, and the results of such an effort are to be considered delusional. So the gauntlet is thrown down, either Joseph’s methods produce a full blown physical manifestation or they are false.

What we can deduce by all of this is that Joseph’s perspective on magickal evocation is very existential and one that I find not only disturbing, but I doubt that it would work for anyone except Joseph. It would require someone who has his materialistic predispositions, that is, if it even works at all. I am also curious that a scientific mind like Joseph’s would not have set about to prove that his evocations produce physical phenomena. If his magickal techniques produces verifiable physical results, shouldn’t he meticulously document that fact and present it to his scientific peers? It would be a world class revelation, finally making magick into a verifiable and repeatable natural phenomenon. They might also be able to discover the nature of that mysterious mechanism which causes these manifestations to occur, but that’s only if the process is as objective and verifiable as Joseph appears to declare it to be. I think otherwise and place a great deal of doubt on the entire premise that Joseph makes for the third axiom.

Axiom four and five are corollaries to axiom three, and we can deal with them together. The fourth axiom declares that spiritual entities are either objective or subjective based upon the subconscious belief system resulting from the magician’s subjective synthesis. We have already examined this issue above, but we can also declare that all magickal experiences are subjective, whether the magician believes that they are or not. Joseph seems to indicate that by subjective, he means that spirits are merely psychological constructs, but I think that his definitions are in error when considering what is meant by the terms subjective and objective.

As psychological experiments have proven, and common sense dictates, all experiences not grounded on objective and verifiably agreed upon facts are, by definition, subjective. These objective facts are fairly simple and straightforward, and they serve as our shared definition of the physical world that we live in. So there is a quite a large domain of human experiences that occupy the area of what would defined as being subjective. What we have to do is make certain that we don’t adopt the belief that anything that is subjective is somehow not valid or unreal.

Magick concerns itself with the internal world of the psyche and the sphere of consciousness that goes beyond human perception and human containment, i.e., the domain of Spirit. To propose that spirits are objective is to propose that they are a verifiable and agreed upon physical reality, discernable to our senses or instruments as a natural phenomenon. The fact that this is not the case destroys Joseph’s logic, since only when he works an evocation are spirits able to be fully materialized, and thereby gain a degree of objectivity, but only through the artifice of his magick. However, by saying that spirits and their associated phenomena are subject does not in any way declare them to be unreal or just mental processes. Spirits appear to operate as a paradox, they are both internal and external to the psyche that perceives them, but they can’t be proven to have an objective physical existence outside of the psychic experience in which they are perceived. 

Axiom five declares that the basis of all magick is a complex energy field. It is an essential element that drives all of the physical effects of a magickal evocation or any kind of magick. Once again, if magick were a quantifiable energy, it would be able to be measured on the EMS scale and could be proven and verified in an empirical manner. The fact that this is not the case shows that this theory is more about subjective metaphors than objective reality. However, magickal energy is discernable in the context of magickal workings, so even though it is subjective, it is still quite real and it’s effects are observable. It just can’t be measured or quantified in a laboratory.

An interesting point is that science can’t even prove that such a phenomena as psychic energy exists when examining psychometry, let alone that magickal power is objective and able to be measured. Joseph seems to easily confuse objectivity with subjectivity, and this is usually the case when someone falls prey to spiritual materialism. Also, there are many theories about the nature of magick. The energy theory is only one of them and taken in isolation, it is incomplete and somewhat misleading, especially if one adopts this theory literally. Joseph then goes on to criticize forced visualizations and artificially strained emotional states of exaltation as practiced by so called New Age magicians. He also says that daily exercises in visualization, meditation and concentration are unnecessary and even useless for the practicing magician.

First off, I would like to know who he is referring to by the term “New Age Magicians,” since it would seem to be an oxymoron. No one in the New Age community would ever perform any kind of hard occult practice such as a magickal evocation, and in fact they seem too timid to even consider practicing any kind of deliberative magick. So I suspect that he is referring to all of the individuals who practice magick without strictly adhering to the old grimoires. While I agree with this statement in principle (fake practices don’t really help or hinder anyone, they just waste time), I do believe that the magician must have an extensive set of practices that refine her ability to meditate, contemplate, concentrate, and nominally, control her mind and its functions.

 In addition to that, there are a regimen of practices that develop her spiritual perspectives, such as meditation sessions on various spiritual concepts, devotions, communion celebrations, spiritual alignments, and godhead assumptions that are centered around her personal religious cult, with herself as both the priest and avatar of that personal Deity. These practices are worked through the diurnal cycle of day and night, the monthly and annual Lunar and Solar cycles, as well as the magician’s own cycle of initiation, which represents her spiritual and magickal mile stones as well as her progression up the Tree of Life. Joseph does not talk about any of these subjects, so we must assume that they do not exist in his magickal practice, making his magickal allegations of primacy suspect, or worse, fraudulent. He does admit to attending services in his Catholic church, so one might assume that he also prays and celebrates the Catholic liturgical calendar. However, despite this supposed piety, the existential serpent of spiritual materialism keeps on rearing its ugly head whenever we examine any of Joseph’s supposed magickal practices or beliefs.

Axiom six deals with the issues of control and command in regards to the evoked spirit, of course, that assumes that the spirit actually physically manifests. Any departure from the strict rules set down about control, command and manifestation will either cause what Joseph labels “the slingshot effect,” or it will produce no result at all.

The interesting thing about this axiom is that here Joseph reveals a subtle point about how he perceives the action of the Deity in an evocation. At the point of the spirit’s materialization the magician forges a connection between his finite conscious being and the infinite deity that resides within himself. Therein he reveals the key link that establishes the authority assisting one in commanding the spirit. Although this aspect of control really involves one’s own self-control while gripped with the resultant ecstasy and bliss produced through the merging of godhead and magician. The essence of this state is referred to as “Divine Love”, which emanates from that awesome source of godhead within and is the fulcrum of the whole working. A magician must activate that link under a state of complete self-control, and from it he or she may command the spirit and force it to obey. So the basic premise is that without self control one can’t command the spirit. Losing the ability to command a spirit that has fully or partially manifested will also cause the magician to fail to coerce it through a binding process (the charge).This is quite hazardous, producing what Joseph calls the slingshot effect instead of the desired result. A failure at any of these three points requires the magician to immediately abort the rite, extinguish the candles and incense, and seal up the temple for a month before starting the whole process all over again. Although it may be too late for the magician to mitigate a kind of fateful negative blowback.

What surprises me at this point is the fact that only here, the author states what is the real mechanism for evocative materialization, which is the merging, almost sexual, of one’s finite self with the infinite glory of the deity. This is a key magickal component used in this methodology.  It’s a technique of exalted empowerment, but nowhere is it explained or developed in the entire book - so it remains highly obscure to the reader, functioning as a part of Joseph’s personal magick. Since this is such an important key and it is omitted, then it would seem that Joseph is deliberately refusing to share an important spiritual discipline. However, such a mechanism is not unknown to other competent magicians, since it is part of the repertoire of an immanent aspect of deity. The symbolic analogue of this state is the classically defined hierogamos, where the magician undergoes a symbolic wedding between his higher self and lower being. This union generates feelings of ecstasy, since it is a union that merges the magician’s higher subtle and lower causal levels of being.

Joseph briefly discusses  this process as if it were automatic and it can only become that way after many years of practicing it as a spiritual discipline. It is a core rite of spiritual union and there are a number of ways of experiencing it. One method that captures it is the Bornless One invocation rite as shown in Crowley’s Liber Samekh. Other mechanisms involve variations of sex magick or applied Tantra. So if one were to practice one of these methodologies consistently for a few years, it would become internalized and occur automatically whenever one needed to summon it. However, by being obscure with this technique, Joseph is being disingenuous and setting up his erstwhile followers to fail to materialize a spirit. One could almost consider this omission a kind of neglectful cruelty, since it sets a trap for the unwary and unenlightened. However, for those who have practiced this rite and know its power and majesty, they realize that it does not necessarily produce ectoplasmic results, but the resultant ecstatic experience of union could cause one to see or perceive nearly anything.

The magician would then command the spirit to appear in an appealing manner, showing the entity the terrible warding pentacles and hexagrams perfectly copied from the grimoire, and trembling in terror, the entity would comply. It would shed its horrible aspect and assume a beautiful one, all in the twinkle of an eye.

Then the charge, which is used to bind the spirit, would be delivered to ensure that the spirit does exactly what the magician intends. The charge must be perfectly worded, memorized and not contain any loop holes for it to either negate or reverse the objective. One would assume that a lawyer should be hired to examine the charge and ensure that its wording produces a contract that is inescapable and unambiguous. Of course, that would assume that the spirit reads English and has a flair for legal interpretation.

In classical evocation, these operations would fit neatly into the stages of constrictio and ligatio, which are performed after the trials of invocatio. Joseph is not introducing any new material in what he is proposing, except the little bit about operating through the applied union of the Godhead and the magician. 

However, since it is unlikely that the magician will ever be able to perform a full materialization, it is also doubtful that there will be a need to master the art of command and control, or for that matter, even deliver the memorized charge. All of this is just a tease, really, since the omission of critical material ensures that the reader will not get past the initial stages of the rite, unless by either luck or intuition, the magician obtains the required unified state of consciousness. Because the magician is forced to abort the rite if it fails to produce a full manifestation, and then to wait a month or more before starting completely over, this will keep the erstwhile student busy for many months or even a couple of years before finally discovering what was missing from the rite to cause it to fail.

Axiom seven deals with the controversial slingshot effect in its entirety. I found this axiom to be rather strange and even unbelievable. It appears that even a failed evocation working will produce results. However, my experience is that a failed magickal working produces the obvious and shameful lack of any results. However, Joseph goes on to define this phenomena in five parts, and it always happens in this manner, regardless of circumstances.

First, one gains a minor windfall of money, then soon afterwards, one loses at least a third to half of it by some misfortune (easy come, easy go). Thirdly, the magician experiences the breaking up of a long term relationship in a painful and unexpected betrayal, and after that horrific event, one experiences the renewal of an old relationship, which doesn’t last long. Finally, one receives a small amount of cash as a token that the spirit is done torturing the magician. The pattern of the slingshot effect always produces these five sequential phenomena.

In a nutshell, that is the slingshot effect, thus it would seem that a magician who fails in his quest to evoke a spirit is in for some tough times. A successful outcome produces just the expected results and nothing else, undoubtedly due to the tightly written charge. However, in all of the years that I have worked magick, and indeed, anyone who I have ever discussed this issue with, nothing even remotely like this has ever happened. A magician who performed an evocation producing a full materialization of the spirit, heralded with all sorts of poltergeist activity and then made a tactical blunder that caused him to endure five events of outrageous misfortune lasting for weeks should probably leave the practice of magick to others more qualified and less liable or prone to personal stupidity. I would judge such a magician to be quite incompetent. I would also have a hard time believing such a tale in the first place, since it would seem very odd for someone to successfully invoke a spirit, only to have it catastrophically fail in such a precisely dramatic manner. Failures produce no results, successes produce some or full results - it’s as simple as that. Why is this so? Because the intent in a ritual working is so all-powerful!

If a magician told me that this had happened, I would believe him to be quite a story teller or an outright liar. Even my first attempt at Goetic evocation produced results, even though much of the other aspects of the rite were accidently and ignorantly omitted by me. The net overall results of the rite produced nothing tangible, but then again, I was only 17 years old at the time and knew so very little about ritual or ceremonial magick.

What are we to make of this axiom? It seems as if the erstwhile magician who practices Joseph’s system of magick has a loaded gun held against his head, and any error in the execution, understanding or in the charge itself, will cause the magick to go terribly awry. I suppose that I would think twice about performing that kind of magick and would warn others, too. It’s a no win situation and reminds me of the sorcerer’s apprentice, who was doomed to failure before he even stole his master’s hat and started to work his own magick. Why would any one want to contemplate working with such a system of magick if the risks were so dire?

Axioms eight, nine and ten are rather minor considerations, and it is debatable if they would have any bearing on the successful outcome of a magickal working. Axiom eight declares that regular practices and exercises are unnecessary, since they confuse issues of spirituality with psychism. Here Joseph is referring to exercises that develop one’s connection or alignment to the deity and other associated practices, although if written in a New Age perspective, these kinds of exercises would be fairly useless and easily replaced with the more potent practices of assuming one’s godhead, practicing communion, and other liturgy associated with one’s personal religious cult. These are an important feature of modern magick, since they assist the magician in developing the divinity within, the very thing that Joseph talks about connecting to at the climax of his evocation rite. Without a periodic practice and developed capability, the practicing magician would not able to forge such a connection, and the rite would fail.

Joseph also talks about his studies in Freudian psychology. I found this rather interesting, since Freud devalued religious experiences, saying that they were nothing more than an amplification of the id. Also, Freud was an avowed atheist and he was quite cynical about his own Jewish religious heritage. He is hardly the consultative expert for the modern practicing magician, unless that magician is also an avowed atheist. I would have thought that Carl Jung would have been more sympathetic to the practice of ritual or ceremonial magick, but then, what do I know?

However, in the next axiom, Joseph informs us that we should not reject the religious tradition that we were raised in. We should obey the ten commandments of God and follow the faith of our fore-fathers to help forge an effective subjective synthesis with a coherent, integrated subconscious belief system. Of course, if the belief system that we are raised in is completely incompatible with our inner spiritual self then that could pose some problems for the practitioner of evocative magick. Even so, Joseph favors going back to it anyway, since the old time religion is more powerful and complete than some new and fancy theology, like Theosophy, Neopaganism or Wicca. Although orthodox proponents for either Christianity or Judaism would take a very dim view of anyone practicing magickal evocation, following the author’s advice, one would be OK if he or she never publically admits to such a practice. Supposedly, the orthodox rendition of the Godhead doesn’t really have a problem with it either, so it’s all OK. Right!

This, of course, makes absolutely no sense to the individual spiritual seeker, which is an important aspect of a modern occultist, but it does allow one to become immersed to some extent in the religious practices associated with the old grimoires. However, few if any modern magickal practitioners can emulate the mind set of the pious medieval or renaissance magician, so the resultant spiritual fervor will be considerably less than what ought to be generated through the long period of purification and atonement. This lack of fervor would adversely affect the magickal operation, likely causing it to fail at its most fundamental level, i.e., the subconscious interpretation of the subjective synthesis.

In contrast, the modern magician is an avowed heterodox who celebrates her own personal expression of godhead, and she performs her magick with this gnosis strongly pervading her entire being. What could be more compelling than that? The great mysterious source of all magick is gnosis, and as a form of knowledge, it is completely paradoxical and inexplicable. However, it is foolish to think that one can find true gnosis in an orthodox creed; for that, one hs to seek a more esoteric perspective.

The final axiom declares that all magickal workings, particularly magickal evocation, should be performed in a temple with either a dirt floor or concrete covering a dirt floor instead of an elevated structure. An outdoor sequestered grove, a cellar or a ground floor room will provide the kind of earth connection needed for this work. This means that an apartment in a high-rise building would not fulfill the requirement for working magick, nor would a first floor room in a house with a basement.

I find this final requirement distinctly odd. A magician performs his magick through the domain of Spirit, which does not exist anywhere in physical space or time, so it can be accessed from any location, provided the operator is in the correct mind state and has an area that is free of distraction, clean and dedicated to the work. I have seen individuals who practiced magick in their living rooms or bedrooms without too much trouble. I myself have worked magick for many years in high-rise apartment complexes without any problems. One magician that I knew had a temple high up in a penthouse in uptown Chicago with a majestic view of the lake, and his magick was extremely powerful. This requirement is peculiar to say the least and seems to summarize the ultimate improbability of Joseph’s obvious personal magickal idiosyncracies and biased opinions.

Frater Barrabbas