Thoughts About Using a Vault of the Adepti

Now that we have succinctly reviewed the definition and nature of the Golden Dawn Vault of the Adepti, and we saw how such a container device could be re-defined using prismatic energy geometry within the tradition of ritual magick, the real question is - what do you do with it? Is such an elaborate structure merely nothing more than something to awe and inspire a candidate for the Inner Order? Besides the fact that in the Golden Dawn this chamber is used to propagate the mysteries of the second order through the guise of the tomb of Christian Rosenkruetz. It could also be a place where Enochian Chess could be performed or some form of skrying magic (analogous to Enochian Vision Magick); but the uninitiated public are pretty much left to scratch their heads, saying: “So much trouble and expense just for a collection of elaborate initiation rites?”

Yet since I have managed to replicate this ornate magical container into a complex ritual geometry, I can now see many uses for this tool. I will spend a few paragraphs elaborating on this particular insight, keeping in mind that I am completely ignorant as to how the vault of the adepti is supposed to be used for magical purposes in the Golden Dawn.

How this magical container would be used in the Order of the Gnostic Star for magick and initiations is a completely different manner, and one that I do feel competent in stating here. Since the key number for this chamber device is seven, then it belongs to the provenance of the Hierophant of the second order, which is the seventh degree. While such a magical structure becomes part of the tasks and ordeal of the Hierophant, it can be used in the initiation rites for the fifth and sixth degrees, since these are to be performed by him or her for the benefit of the initiatory candidate. I would consider this use of the vault of the adepti to be optional, since it would add even more elaborate structures to an already intense initiation regimen. Still, for the Hierophant and his ordeal of mastering the Seven Planetary/Sephiroth Rays, building and using the prismatic geometry for the vault of the adepti is a critical task, or so I have come to realize.

I would name this newly discovered mystikon or chamber of the mysteries for the Hierophant and the 7th degree, the Vault of the Adepti of the Seven Rays. It’s theme would be associated with the mystical tomb of Hermes Thoth instead of Christian Rosenkruetz. In my opinion, these two personages are similar and analogous, but represent different time periods and mythic systems. I think that Hermes Thoth is more pagan and representative of the Hermetic system of magick, but that’s just my opinion. Also, these seven rays are not to be confused with the seven rays of Theosophy, since they are considered in the Order to be nothing more or less than a subset of the Ten Sephiroth. This is why I am associating them with the Sephiroth in my nomenclature to avoid any confusion. 

Some years ago I had completed assembling all of the rites and ordeals of the Hierophant, and these were divided into two overall categories; those that are worked with the number seven (as in the Seven Rays), and those that are worked with the number eleven (as in the sacred seven matrons and four patrons). I won't go into any detail about these two ordeals at this time, but the foundation of the ordeal of the Seven Sephiroth Rays was a rite called the Ritual of the Seven Rayed Star. What I realized after discovering that I could simulate the vault of the adepti using prismatic energy geometry is that it was a better and more complete foundation than what I had previously determined. I would need to insert this new ritual (when I get around to writing it) into the regimen of rituals used for the ordeal of the Seven Sephiroth Rays. It will make that ordeal more complicated, but it will also make it far more powerful. The newly formulated Vault of the Adepti of the Seven Rays can also be performed alone and outside of the ordeal (once it’s mastered) to perform some very valuable forms of magick.

So the question is what kind of magick is this vault of the adepti to be used by the fully vetted Hierophant of the Order of the Gnostic Star? First of all, considering the number of elements packed into the ritual structure (40 x 7 = 280) and that it incorporates the Qabalah, Astrology and even a form of planetary alchemy, it represents the full spectrum of all symbols associated with the Seven Rays. It is, in fact, a kind of magical machine, which can be used to set any combination of symbols to produce some kind of magical effect. We can also consider that those symbols are also associated with numerous correspondences, including hierarchical lists of Godheads, angels, demons, earth spirits, and any number of other spiritual entities.

A magical machine exemplifies the magical concept of “Thought becomes form, and form becomes thought.” This concept is a hallmark of the Hermetic path itself (as we shall see below). The focus of a magical machine can be on the Inner Planes to acquire knowledge and insights, upon the self to effect a powerful form of self-transformation, and it can be focused on the material world to bend reality and make changes. It can be used actively to project magical power and it can be used passively, to perform divinatory operations. It is also a kind of mystical chamber where the themes of death, immutability and even regeneration are expressed.

In the case of the Golden Dawn vault of the adepti, the premier mythic personality is Christian Rosenkruetz; for modern pagans, that personality would be Hermes Thoth, Thrice Greatest. The tomb is also a place outside time and space, since within it, the body of the mythic personality is not necessarily considered dead, but only in a kind of deep sleep or stasis. Not only is the sleeping magus of great importance, but so is the knowledge contained within the vault itself. In the case of Hermes Thoth, that knowledge would be ensconced within the Emerald Tablets. The aphorism of “That which is above is like that which is below, and that which is below is like that which is above..” encapsulates the secret knowledge of the power and majesty of the magical machine. Through an application of its powers and capabilities, anything can be accomplished.

So learning how to deploy this very important ritual system into the body of the ritual ordeals of the Order is critically important. I am glad that I discovered this new piece associated with the Hierophant degree of the Order, but it does make me wonder what other pieces are missing from that which I have already determined and written up. Looking over the list of rituals associated with the Seven Rays, I had always felt that the overall structure was quite weak and incomplete. Since I didn’t have any additional insights as to how that ordeal should be strengthened, I didn’t give it much more thought. Now, several years later, I have determined another very important piece, and it does make that ordeal much more powerful and comprehensive.

One other thing that haunts me as I go through this ordeal of discovery, seemingly a constant and never ending process, is that I originally develop a series of rituals to perform for a given ordeal or to achieve a certain end, and then some years later discover that something was missing or incomplete in that work. This doesn't happen with every ordeal that I have developed, but it has happened often enough to make me a little worried about the permanence of my work. I have often wondered why this is so, but I do realize that all creative minds execute their creations in erratic waves, and later on when they discover new ways of doing things, that knowledge is often applied to that past work. Creative work is forever ongoing and doesn’t end (hopefully) until the artist finally sheds his or her mortal coil and ceases to work from that moment onward. Others might pick up the torch and pursue it, and over time, might even add more realizations and creative inspirations to the work. This is much more possible and realistic when considering such fluid endeavors as occultism in general, and specifically in the arenas of ritual and ceremonial magick.

It is my hope that others will invest themselves with the lore of the Order and perhaps keep it moving forward even after I have passed from this world. My only hope is that the lore that I leave behind has no glaring holes left in its array of ritual workings, and that the work moving forward is the invention of new ordeals and ritual workings instead of fixing what I failed to complete.

Frater Barrabbas

Vault of the Adepti

I think that one of the coolest things that the author of the second order of the Golden Dawn ever came up with was the vault of the adepti, which was a fabricated container of sorts filled with symbolic colors, designs, characters, sigils and furniture. This was obviously something that had the imprint of both Mathers and his wife, Moina, since it was a synthesis of art and occult symbology. If ever there was a potent justification for believing Mathers to be something of a creative genius, the vault of the adepti is one of many. Just the mere idea of sitting or standing in a large container set up within sacred space full of activated symbols and vibrating colors was quite a fabulous notion, perhaps one of the most influential in all of the second order GD lore.

Still, this was one of those fanciful devices that I never got to either see or touch, build in some manner or fully experience; but it was something that powerfully influenced my imagination even today. Even the name “vault of the adepti” sounded exotic and thrilling to me. One of my friends, who was also one of the co-founders of the Order of the Gnostic Star, used to talk about it as one of the highest attributes of the inner order of the Golden Dawn, and his spirited talk helped fuel my imagination. Yet because I never was able to find a Golden Dawn temple to join and thereby learn about this awesome and mysterious vault, it remains something of a side issue that I never really studied or mastered. To this day I am somewhat ignorant of the details of the vault regarding to how it’s supposed to be fabricated, consecrated and utilized in initiations and even in magick. It is also quite beyond my ability to even consider building such an elaborate work or magical edifice today.

A vault of the adepti is simplistically defined as a large septagonal prism shaped container ensconced within a temple room. It has seven walls (shaped into a septagon), and a floor and ceiling both with the contrasting design of a triangle within a septagram, where the ceiling is white and the floor is black. Each wall is approximately 8 feet high by 5 feet wide, and they are divided into 40 squares each, consisting of a colored symbol and a colored background set to a specific symbolic attribute and painted with flashing colors. Each of these 40 squares are associated with the symbols of the ten Sephiroth, twenty-two Pathways (12 zodiacal signs, 7 planets and 3 elements), the four Kerubim, the three Alchemical Principles and the One Eternal Spirit. All of these 40 squares are attributed to the specific planet associated with the wall, and this indicated through the incorporation of different hues of flashing colors, which produces a powerful rainbow effect as each wall contrasts with another. The door to the vault is located on the Venus wall, and once closed, the container presents a seamless depiction of the full range of planetary symbology arrayed in brilliant color.

Within the vault is a circular altar stand situated over a rectangular coffin shaped structure called the Pastos, which is large enough to allow a person to lie down comfortably within it. The Pastos has a white head and a black foot, painted with contrasting Rose/Calvary cross designs, and the center is painted with the colors of the rainbow, depicting (again) the seven planets. Outside of the vault and situated on either side of its door are the black and white temple pillars. The door opens to the western side of the outer temple and against the wall in that outer temple is the cross of obligation. A doorway that leads into the outer temple is situated between the western and northern walls (i.e., northwest corner).  

There are a lot of pictures and images of this spectacular ritual container, but it could ideally be a full sized room secretly annexed off of the main GD ceremonial temple, if one had unlimited resources. I won’t get into the specifics of this marvelous device, since anyone who is that curious can consult the volumes of the Golden Dawn lore that are published. (The specifics of the vault are supposed to be oath-bound, but that hasn’t stopped some from publishing information about it.)  

Even so, the idea of crafting a vault was really beyond my abilities, and so it remained nothing more than a fanciful notion to me. I went on with the magical work, study and practices that I had started back in the early 80's, and what I was doing, however advanced, had little in common with the notions of a concentrated magical environment like a vault. Little did I realize that there is more than one way of either constructing or generating this kind of environment, and that the more elaborate ritual structures that I had developed would in fact simulate, in another manner, the power and majesty of a vault of the adepti.

When we consider that the prismatic energy structures established in an extended version of the energy model of magick can produce simple or complex geometric structures, then when those structures become complex and highly geometric, they can have a similar magical affect as a vault of the adepti. The key, of course, is being able to derive enough of an elaborate geometric construction using prismatic energy structures to simulate the basic elements of a classical Golden Dawn vault. The whole key, of course, are the seven planetary walls each with 40 symbols arrayed on them. How would an elaborate ritual structure incorporating a prismatic energy geometry replicate the array of symbolic structures found in a vault?

I have already discussed the more advanced sacred geometry regarding prismatic energy structures incorporated in ritual magick, and it might be useful for you to re-read what I posted many months ago. You can find that article here. The kind of ritual structure that I would incorporate to establish the outer perimeter of such a magical environment would be the twelve pointed magick circle, which produces an in-circle dodecagon, and this would function as the mystikon or chamber of the mysteries. I have taken a couple of paragraphs from that article to describe in greater detail what that structure would look like and how it would function.

“The twelve pointed magick circle can be used to establish an in-circle dodecagon, and the sixteen pointed magick circle could be used to establish an in-circle double octagon. To produce these structures, each of the points would have to be deliberately drawn together along the periphery of the magick circle. The only actual variances would be the vector used in joining the points together, whether clockwise or counter clockwise. In addition, whatever ritual structures were employed in the center of either a duodecagon or a double octagon would add to the over-all prismatic field, producing very elaborate structures.

A dodecagon with an internal combined structure of a pyramid, a tetrahedral gateway and a mid-point would produce a dodecahedron prismatic structure. That prismatic shape would emerge because the initial energy structure of a sphere would imprint and carry the design to both hemispheres of the magickal circle structure, even though, technically, only half of it would be visual. Such a prismatic energy shape, besides being one of the Platonic solids, would represent an elaborate and fully empowered mystikon or telesterion (chamber of the mysteries).”

An in-circle dodecagon would represent the twelve signs of the zodiac as well as establish the containment field for the chamber of mysteries, yet the overall structure would include other additional elements so that the key number of 40 would be satisfied. The twelve points would be determined by the four Watchtowers and the two in-between points on either side of the four Angles, thus leaving out the four Angles for other structures. 

The other ritual structures would be established within the dodecagon (to fill out and produce the dodecahedron prismatic structure) would incorporate the following additional ritual structures.

• Power Pyramid - set to the four Angles and the Ultra-point, with all five points drawn together. (Set with the four Cherubim and the Eternal Spirit.)
• Octagon - incorporating the four Watchtowers and four Angles and drawing them together to form an elemental vortex. The octagon would be anchored to the infra-point in the center of the circle. (Set with the eight Qabalistic Sephiroth - Yesod through Chokmah.)
• Inner circle and Septagram trigon - the septagram can be set to any of the seven planets, or all seven of them simultaneously. (Set with the seven Planetary intelligences.)
• Double Tetrahedral Gateway - an obverse gateway aligned to the East, and an inverted gateway aligned to the West, representing the double gateway of the mysteries. (Set with the Three Elements, the Three Alchemical Principles, and the Sephiroth of Kether and Malkuth.)
• Meso-point - mid point in the center of the circle, representing the magician within the guise of the Godhead intermediary. (The magician holds the key, which consists of all of the seven Enochian planetary ensigns arrayed in an internal septagram on a central altar.)

Excluding the meso-point (the place of mystery and union for all of the previous elements), the above five integrated structures have the following numeric elements - 12, 5, 8, 7, and 8 equals 40. Each of these forty elements would be associated with an overall planetary configuration, thus making the number of elements of this ritual structure equivalent with that of the vault of the adepti. I would also assume that the effect of erecting these ritual structures would produce a field that would be analogous to that of the vault. An enterprising magician could add to the ritual structures all of the verbalized myths associated with the burial vault of Christian Rosenkruetz (or something that would be spiritually analogous), and the simulacrum of the great vault would be symbolically represented.

As you can see, there are a number of ways of doing something, and magicians don’t have to be stuck on just one way. While it is wonderful to be able to build and craft something that is based on the exact parameters of a tradition, it should not be a sticking point. As always, there are many ways to accomplish the same analogous thing using different magical models or theories. I hope that I have presented one of many variations for producing the wondrous vault of the adepti.

Frater Barrabbas